Masses

Masses

Masses
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Category: Music CD
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CD Details

Edition: Music CD
CD Release Date: 1997-02-18
Music Label: EMI Classics
Soundtracks:
Music CD 1
  1. Kyrie
  2. Gloria In Excelsis Deo
  3. Gratias Agimus Tibi
  4. Quoniam Tu Solus Sanctus
  5. Credo In Unum Deum
  6. Et Incarnatus Est
  7. Et Resurrexit
  8. Et Vitam Venturi Saeculi
  9. Sanctus
  10. Benedictus
  11. Agnus Dei
  12. Dona Nobis Pacem
  13. Kyrie
  14. Gloria In Excelsis
  15. Qui Tollis
  16. Quoniam Tu Solus Sanctus
  17. Credo In Unum Deum
  18. Et Incarnatus Est
  19. Et Resurrexit
  20. Sanctus
  21. Benedictus
  22. Osanna
  23. Agnus Dei
  24. Dona Nobis Pacem
Music CD 2
  1. Kyrie
  2. Gloria
  3. Credo
  4. Sanctus
  5. Benedictus
  6. Agnus Dei
  7. Kyrie
  8. Gloria In Excelsis Deo
  9. Gratias Agimus Tibi
  10. Quoniam Tu Solus Sanctus
  11. Credo In Unum Deum
  12. Et Incarnatus Est
  13. Et Resurrexit
  14. Sanctus
  15. Benedictus
  16. Agnus Dei
  17. Dona Nobis Pacem

Music reviews of Masses

Music Review: Broad and solid
Rating: 4 Stars

One of my first experiences with classical music concerts was a performance of Haydn's "Creation" conducted by Neville Marriner. From this concert I had the impression that Marriner has a faible for rather fast tempi - as far as classical choral works are concerned, but I have to revise this opinion.

Sure, in this collection of four masses by Haydn there are also some speedy movements, and often the interpretation feels "right" concerning the speed and rhythm. I have the impression that this is especially valid for the first two featured masses (Heiligmesse, Nelsonmesse) where I have no comparison to other recordings or notes. The second pair of masses (Kleine Orgelsolomesse, Theresienmesse) are played often in very broad tempi (e.g. the Kyrie in the Orgelsolomesse) that make it sometimes difficult to follow the flow of the music.

Besides these details, the interpretation of the joint forces of the Rundfunkchor Leipzig (pronouncing the Latin text in the way it is customary in Germany), the Staatskapelle Dresden, and various soloists is full of rhythm and is "leggiero" (sometimes the latter is somewhat missing with the soloists). Also the technical aspects of the recording are solid, though maybe not excellent.

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