It's Super-Rock Time! The IRS Years, 1980-85

Fleshtones - It's Super-Rock Time! The IRS Years, 1980-85

It's Super-Rock Time! The IRS Years, 1980-85
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CD Details

Artist: Fleshtones
Edition: Music CD
Audio: English (Unknown)
CD Release Date: 2010-03-09
Music Label: Raven [Australia]
Soundtracks:
  1. The Dreg
  2. The World Has Changed
  3. New Scene
  4. Screamin' Skull
  5. I've Gotta Change My Life
  6. Shadow Line
  7. All Around the World
  8. Right Side of a Good Thing
  9. Stop Fooling Around!
  10. The Girl from Baltimore
  11. Hexbreaker
  12. What's so New (About You)?
  13. R-I-G-H-T-S
  14. Roman Gods
  15. Deep in My Heart
  16. Hope Come Back
  17. Let's See the Sun
  18. Ride Your Pony
  19. The Theme from "The Vindicators"
  20. American Beat '84
  21. Hide and Seek [Live]
  22. Return to the Haunted House [Live]
  23. Watch This [Live]
  24. I'm Back [Live]
  25. La La La La [Live]

Music reviews of It's Super-Rock Time! The IRS Years, 1980-85

Music Review: Can't Revive What You Never Lost
Rating: 5 Stars

The Fleshtones had too many parallel passions---and knew exactly what to do with every last one of them---to be dismissable as mere garage rock revivalists. In the middle of what they used to call New Wave, the Fleshtones must have confused a few too many people. Their rhythm section belonged as much to 1960s soul (and as much to the Rascals as Stax) as it did the classic garage bands to whom they were (and still are) usually aligned. Lead singer Peter Zaremba sounded as though he spent at least as much time learning from the Yardbirds' Keith Relf as from the Seeds' snarling Sky Saxon (he was probably the most elementary harmonica blower since Relf, too), while his keyboard sounds may have exhumed the vintage cheeseball Farfisa/Vox but rarely burred their way too far afront the backbeat. Lead guitarist Keith Streng sounded as though he owed as much to Steve Cropper as he did to any fuzz-box-bending punk down the block or sneaking into an Electric Prunes session. And the whole thing had a patina that hinted without reaching all the way to power pop. (They were simply too energetic and unapologetic for that.) The Fleshtones, in short, plopped all those ingredients into a rock and roll Mixmaster and didn't seem to object that not every speed was the high speed for driving attachments.

It made (and still does) for incandescent rock and roll and should have made for incandescent commercial success. Except that the Fleshtones were (and remain) too far short of the smugger-than-thou implosiveness of punk (and, later, grunge) and too far divorced from dance music's early 1980s descent into faceless automatonism. Their music was (and remains) too steeped in the idea that rock and roll has a history to be enhanced, not nostalgised. You can't revive what you never let go of in the first place. And they still crank it out today, sounding (not to mention writing and covering) like anything except a bunch of aging wretches living on the past.

But if you want to get your hands and ears on what made their name in the first place, this is going to have to do until their entire IRS catalog (which has been out of print for years) is unearthed and remastered. Come to think of it, you're almost there with this set, anyway---everything from "Roman Gods" is here except for "Chinese Kitchen," and that's a loss. (Dare yourself to think of anyone else who could imagine the Yardbirds as surf music, which is exactly the way "Chinese Kitchen" sounds.) On the other hand, you get most of their best early music ("Fleshtone '77," "R-I-G-H-T-S," "Roman Gods," "The World Has Changed," "Hope Come Back") and the single best soul cover of their time, their rip-snorting remake of Lee Dorsey's "Ride Your Pony" (written by Aaron Neville, a minor hit amidst Dorsey's ongoing inability to nail anything as popular as "Ya-Ya"), on which they achieve what only a very few (including the Beatles' "Twist and Shout," incidentally) have managed: they bury the original beneath the ocean floor. Add to that the six best songs from "Hexbreaker" and a couple of more delicious odds and ends, and this should hold you very nicely until that IRS catalog is resurrected.

"It's Super-Rock Time!" has the virtue of living up to its self-congratulatory title. Their fans have been saying that on the threshold of Fleshtones shows for years. Maybe the rest of rock and roll will catch on at last.
More It's Super-Rock Time! The IRS Years, 1980-85 free music reviews:
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Description of It's Super-Rock Time! The IRS Years, 1980-85

Raven presents a superb 26-track, 78-minute CD collection from one of America's original, and longest-running, garage-rock bands, self-proclaimed Living Legends, THE FLESHTONES. Formed in 1976 in Queens, New York by vocalist Peter Zaremba and guitarist Keith Streng, the Fleshtones combined fuzzed guitar and Farfisa organ with 50s rockabilly and 60s R&B into a potent retro stew they called "Super Rock". Contemporaries of Suicide and the Cramps on the late-70s NY scene, the group became a huge influence on early '80s garage-rock revivalists Dream Syndicate, Plimsouls, Hoodoo Gurus etc. Amazingly, they are still at it today, finally garnering respect for being as raucous as ever. The I.R.S. Years 1980-1985 - It's Super Rock Time covers their key five year tenure with Miles Copeland's record label. Culled from their classic albums (Roman Gods, Hexbreaker!, Speed Connection) and numerous EPs and singles, highlights include the frat-rocking 'Girl from Baltimore', the whomping 'Screamin' Skull', the moody 'Shadow Line', the Standells-like 'Stop Fooling Around' and one of their most memorable tunes, a tasty cover of Lee Dorsey's 'Ride Your Pony'. Many tracks are appearing on CD for the first time. "Energetic, freewheelin' and street-smart, the Fleshtones are cool, smart, witty, they rock pretty hard and their music sounds great at a party" - All Music Guide. With superb quality audio, detailed notes and color booklet, this excellent release is a must for fans of irresistible, reverb-drenched garage / R&B.

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