Mendelssohn: Piano Works Volume 3
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Composer: Felix MendelssohnPerformer: Benjamin Frith
Edition: Music CD
CD Release Date: 1998-06-09
Music Label: Naxos
Soundtracks:
- Sonata In B Flat Major, Op. 106: Allegro vivace
- Sonata In B Flat Major, Op. 106: Scherzo: Allegro non troppo
- Sonata In B Flat Major, Op. 106: Andante quasi Allegretto - Allegro molto
- Sonata In B Flat Major, Op. 106: Allegro moderato
- Three Fantasies Or Caprices, Op. 16: I. Andante con moto - Allegro vivace
- Three Fantasies Or Caprices, Op. 16: II. Scherzo: Presto
- Three Fantasies Or Caprices, Op. 16: III. Andante
- Album-Leaf In E Minor, Op. 117
- Andante cantabile e Presto agitato In B Major
- Variations In E Flat Major, Op.82
- Rondo cappriccioso In E Major, Op. 14
Music reviews of Mendelssohn: Piano Works Volume 3
Music Review: More delightful gems from Mendelssohn's piano oeuvre
Rating: 4 Stars
So far Naxos's previous two volumes have been consistent in quality and I'm happy to announce that the third volume brings some hidden treasures to the spotlight. Mendelssohn's solo piano works tend to be unknown. With the exception of the famous Variations serieuses and the Rondo capriccioso, it's difficult to find anything else of his recorded nowadays; you certainly won't find any of these on a recital disc. Admittedly, these works are light, restrained, and mostly in the Classical mold. But there are some fantastic obscurities here that showcase Mendelssohn's marvelous talents for piano composition.
When someone mentions a piano sonata in B flat major Op. 106, I can only think of one: Beethoven's Hammerklavier. It's unfathomable to think of another sonata with this title. What are the odds of another sonata in B flat major that just happens to be an Op. 106? Since the work was posthumously published, it certainly wasn't deliberate on Mendelssohn's side. Even more peculiar is the first Allegro movement which actually does resemble the first movement of the Hammerklavier; it's almost a petite version of it. This movement is purely inspired by Beethoven and still fresh with delightful Classical ideas. The Andante movement is stunningly beautiful. These four minutes contain one of Mendelssohn's loveliest streams of melodies and modulations. The last movement is just as engaging, with gorgeous arpeggios and frolicking rhythms. In my estimation, this work is a magnificent example of Mendelssohn's competence with the piano forms.
The three Caprices from the Op. 16 are interesting diversions. The first and third have their moments but are predominately restrained, with occasional build ups of passion. The most outstanding of them all is the second, a 3 minute scherzo with a virtuosic and powerful middle section. More remarkable is the Album-Leaf in E minor. This contains a unique and inspired theme. His Romanticism shows a little more here than in the Sonata. I think this Album-Leaf is one of the best gems on this recording, in fact. It possesses abundantly beautiful ideas, all concisely stated, reaching graceful tension and then resolving itself mysteriously. Perhaps an even more original piece is the ravishing Andante cantabile e Presto agitato in B major. Mendelssohn has an affinity for combining these tempo markings together: andante and presto. He is always introducing a radiant stream of alluring melodies and then transforming them into a splash of impassioned ideas. With typical Classicism, Mendelssohn explores an array of emotions, delicate and reserved, but always angelic. It only took me a few listenings to believe that this 8 minute work is worthy of more attention.
The Variations in E flat major is an unusual composition because it consists of only five variations on a single extended theme. It does not measure up to the divine Variations serieuses, but it is still a glorious set of variations resplendent in typical Mendelssohnian fancy and artistry. I find the theme itself rather banal, but Mendelssohn's gifts for improvisation certainly aid him here. He efficiently turns this simple music into an opulent, stylish and tasteful presentation. Perhaps saving the best for last, Naxos and Frith have recorded a decent Rondo capriccioso. I confess that I much prefer Perahia when it comes to Mendelssohn's piano works. While Frith plays this with finesse and excellent technique, the exhilarating drive and Romantic feeling found in Perahia's delivery are unfortunately absent. The Rondo is assuredly the best composition on this disc, but I didn't pay it more than one hearing because of the attention I think these other rarities deserve.
Bottom line: I think the Sonata Op. 106 will delight any who buy this; the Op. 16 Caprices and the Album-Leaf are superlative gems and prove that Mendelssohn's piano works deserve more championship. Beginners to Mendelssohn shouldn't start here, but for those who love to explore obscure piano compositions from major composers, I whole-heartedly recommend this disc.
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