Junjo

Esperanza Spalding - Junjo

Junjo
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CD Details

Artist: Esperanza Spalding
Edition: Music CD
Audio: English (Unknown); English (Original Language)
CD Release Date: 2006-04-18
Music Label: Ayva Musica
Soundtracks:
  1. The Peacocks
  2. Loro
  3. Humpty Dumpty
  4. Mompouana
  5. Perazuan
  6. Junjo
  7. Cantora De Yala
  8. Two Bad
  9. Perazela

Music reviews of Junjo

Music Review: I just love this album
Rating: 5 Stars

For me, Esperanza Spalding's debut album was pure listening joy. This is a jazz in its purest, undiluted sense. Not only does Spalding play the bass well, she's a great singer as well. Spalding scats on many of the songs (except when she sings the "Cantora de Yala", which is a Argentinian folk song that she sings in Spanish). She's has such a sweet pleasant voice -- one can only hope that she'll sing even more in the future. The song sounds a lot like Brazilian sambas/bossa novas (which I love listening too). She does it all so well too. Spalding also reworks some classic jazz pieces like "Humpty Dumpty" and "The Peacocks".


To me, the title track "Junjo" sums up Spalding's style -- which is playful, savvy, sophisticated, feminine and joyful. But there are many moods expressed throughout the album -- I guess it depends on the listener what they will get from each abstract song.

This album has been on constant repeat on my cd player and IPOD for the past month, that's how much I enjoy it. Right now, I hope to listen to more of her albums in the future -- but I"m enjoying this one so much, it's going to be a little while.

ETA: Her bass solo (the arrangement and her playing) on "Mompouana" is just so wonderful and cool, it almost had me literally tears. Just brilliant.
More Junjo free music reviews:
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Description of Junjo

This is it, the CD that launched the recording career of the now Grammy Award winning artist Esperanza Spalding. When released this project immediately grabbed the attention of fans and critics as an amazing release from a new leader in Jazz. Winning BEST NEW ARTIST at 53rd Annual Grammy Awards introduced her to a global audience, but Junjo was the foundation. JUNJO, the first musical production under the direction of this American artist, Esperanza gives her touches to pieces that range from the modern jazz trio to contemporary Brazilian music, to Argentine folk music. For her, this project is a dream come true. It is as a same time, her first CD as well as the first production under her direction. The trio is completed with the artistry of two excellent musicians, pianist Aruán Ortiz and drummer Francisco Mela. JUNJO has Esperanza s personal seal: the superb sense of time that she possesses and always succeeds in communicating to her audiences, and her great devotion to the instrument she plays.
Junjo boasts an unusual format: A young American woman playing bass and singing wordless vocals with the accompaniment of a Cuban pianist and drummer. But 22-year-old Esperanza Spalding, an Oregon native who teaches at Boston's Berklee College of Music, is so confident in her multiple roles (she also produced the album, released on a Spanish label) and the music goes down so easily, all awareness of her band's makeup quickly fades. With their lighter-than-air quality, the tunes sometimes recall early Return to Forever (an association underlined by the inclusion of a Chick Corea composition) and her playing boasts the warm, richly amplified quality favored by many young bassists. But with pianist Aruan Ortiz stretching and shaping the melodies, Junjo is winningly personal. In addition to several originals by Spalding, alone or in collaboration with Ortiz or her drummer, Francisco Mela, it includes a smart and playful reworking of Jimmy Rowles' classic, "The Peacocks." --Lloyd Sachs

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