Animals, Eric Burdon - Twain Shall Meet
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Canadian Music Store CD DetailsArtist: Animals, Eric BurdonEdition: Music CD Audio: English (Unknown); English (Original Language) Format: Extra tracks, Import CD Release Date: 2004-03-08 Music Label: Repertoire Soundtracks:
Music reviews of Twain Shall MeetMusic Review: LETS SAVE THE EXTINCT ANIMALS!
We should all save the ANIMALS albums from extinction. I've had one of those "EXPERIENCES", we sometimes have, while listening to freak music. Eric Burton has always been recognised as on of the leading blues voices of the British invasion, and his early hits with the (British version) of the ANIMALS are in every 60s GREATEST HITS package in the world. SO, what happened after the lysergic hit his head? I only knew of his being "experienced" from The Animals' amazing live performance of the Stone's "PAINT IT, BLACK" during the 1967 Monterrey Pop Festival. And of course, the song MONTERREY, which recaps Eric's recollections of the event, is the opening number on this album. Think of MONTERREY as the psychedelic flip side to the song WOODSTOCK. After "the bullet" plays, you are drawn into the album, into one of the most flipped out, acid drenched, sonically frightening series of songs recorded during 1968. The songs merge, sitars dominate with harpsicords and string parts on the more "structured songs". In fact, if you mash together Donovan's SUNSHINE SUPERMAN, with the Animal's rhythym section , you arrive at a template used on many of the songs, including JUST THE THOUGHT. Its a ballad that could have sat on King Crimson's first album alongside MOONCHILD. But only in the experimentation achieved on this album, can you REALLY find the scope and depth Eric wanted to portray. JUST THE THOUGHT ends abruptly, as someone starts rewinding, and fumbling with a home reel to reel recorder. Then, a blury, quick demo begins of the next song. CLOSER TO THE TRUTH's nasty sounding DEMO of the song starts, but professional studio vocals are overdubbed, after a few lines of music. After a verse of demo with vocals, the bass and drums kick in, and you 're thrown into a rollercoaster ride of the mind. Eric's visionary lyrics tell us that "Somewhere someone is closer to the truth than you are". The lyrics build on the meaning of who has truth, as the song speeds up, guitar solos flip out, and and the band goes OUT THERE. Way out. FAR out. THEN, when Burdon figures you "got the message", we travel full circle, back to the rough home demo opening. THEN, the recorder is clicked off, THUD. And what happens? You are ejected into the next song, which continues the lyrical theme. This time, YANG to the YIN, the song says YOU are further than someone else. (NO SELF PITY). Utilizing a VERY heavy sitar - harpsecord sound, Eric relates his drug visions. (OK, its a bit drippy hearing someone sing "Have you seen a butterfly's wings, or a blackbird sing?" BUT, it's still got attitude.) After a long sitar solo, Eric throws you into a mind blowing wonderland of ORANGE AND RED BEAMS. This song opens with a nice backing track, string sections, while Eric sings about these Orange and Red Beams, and the birth of a baby. BUT HIS VOCALS HERE, are doubletracked using a reverse delay effect. As a piccalo trumpet and flute colors the song, several overdubs of Eric chant-singing ORANGE ANE RED BEAMS approach the ETERNAL NOW, while your mind floats away in a sea of orange and red voices. How far out can you go? Well, Eric Burdon tried to find out.
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