Eddie Vedder - Music for the Motion Picture Into the Wild
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CD Details
Artist: Eddie VedderEdition: Music CD
Audio: English (Unknown); Danish (Original Language); English (Original Language)
CD Release Date: 2007-09-18
Music Label: J-Records
Soundtracks:
- Setting Forth
- No Ceiling
- Far Behind
- Rise
- Long Nights
- Tuolumne
- Hard Sun
- The Wolf
- End of the Road
- Society
- Guaranteed
Music reviews of Music for the Motion Picture Into the Wild
Music Review: Remember when Edward Louis Severson III mattered?!? You now, back in the Nineties when he was laudably fighting Ticketmaster???!
Rating: 1 Stars
A one, and a two, and a one-two-three: "There's a beeeeeeeg/ a beeeeeeg, hard sun/beeeeeeateeeeeng on the beeeeeeeg people/in the beeeeeeeg, hard world...aaaaaahhhhhhhh, just SHADDUP already, will you Vedder!?!?
The aforementioned, lame*ss song that's been overplayed on Top 40 radio stations is of course from the Into the Wild soundtrack, which in turn is based on the doubtful movie of the same name, which in turn is based on the pro-hippie, liberal, anti-establishment, anti-capitalism puff piece of a book by former part-time fisherman, Jon Krakauer. If you presume that Edward Louis Severson III (so much cooler sounding than Eddie Vedder, incidentally) is a demi-god--musically, anyway, (which automatically means you have a tendency to be a liberal, a socialist, a Marxist, a progressive)--you'll be surprised to know that the "biggest" track off Into the Wild is actually a lame*ss cover of the ultra-obscure band, Indio, song "Hard Sun" from 1989's Big Harvest. That really divulges how TALENTLESS and UNIMAGINATIVE, just to scratch the surface, Edward Louis Severson III is!!!! He was tasked with piloting the soundtrack to the same-named movie, and pathetically, his most known "contribution" is just ripping off a song from an unpopular album from 89, probably ignorantly scheming that most people wouldn't know...but I know!
The movie of this soundtrack is the recent, mega-flop of a catastrophe directed by none other than notoriously anti-American, enemy-emboldening traitor-actor, Sean Penn, who in his spare time visits Iran and Venezuela to corruptly author pro-totalitarian puff pieces disguised as articles which run in the waaaay liberal San Francisco Chronicle! I properly sentenced the movie of the same name as the mega-flop of a catastrophe it is because it anemically made only $18 million domestically; if you know even a pittance about domestic grosses, this is easily as bad as the mentally ill Tom Green movies of jack*ss-tyle comedy. Nah, what the hell am I even writing, for goodness sakes? Tom Green movies are easily superior at the box-office and elsewhere compared to the Sean Penn-directed celebration of vagabonds and hippies that Into the Wild is!!!! The implicating fact that the movie of the same name failed to out-gross even scatological Tom Green films is a total verification of how conservatives who argue that Hollywood should make more family-themed movies are 100% correct. Ergo, Into the Wild was an R-rated piece of sm*t.
The overarching theme of Into the Wild was essentially being a hippie: becoming an environMENTAList, becoming anti-capitalist, supporting the oxymoron called "social justice," becoming anti-establishment, and returning to nature to, I suppose, find yourself and maybe commit suicide due to malnutrition and a miscalculated plan about living in Alaska. Since this is the movie's soundtrack, all of Edward Louis Severson III's songs echo and even hawkishly promote this same kind of ultra-idealistic, but ultimately unrealistic, outlook on life.
Just take Edward Louis Severson III's piracy of the enormously obscure band's, Indio, song, Hard Sun. All the lyrics are about aggressively hawking a frame of mind of feeble, Democrat-voting VICTIMHOOD, aka VICTIMOLOGY. I believe the official definition of victimhood in Webster's Dictionary is what Dems tell their prospective voters in heinous acts of mass-pandering to make them dependent on the Dem Party. But back to the Hard Sun lyrics. Just read the BS in them:
There's a big
a big hard sun
beaten on the big people
in the big hard world
The translation of these is that the world is so cruel and everyday, normal people are just so worthless and incapable of surviving by their lonesome...without nanny state, Democrat intervention, that is.
Or how about the lyrics to another Edward Louis Severson III-penned BS, Far Behind. Here, Edward Louis Severson III (man, his real name just rolls right off the tongue and is a lot easier to say than Vedder, isn't it? I at least think so!) actually has got the impudence to pretend to be disillusioned with and then even cynical about wealth! This, from the same Edward Louis Severson III whose band, Pearl Jam (j*zz), sold something like a zillion records since 1991! Read these lyrics:
Empty pockets will
allow a greater sense of wealth
First off, damn Edward Louis Severson III for penning an oxymoron--how the hell exactly do empty pockets make one feel wealthier???? Is he practicing voodoo economics, fuzzy math, or something?!?! Oh, wait; I now know what his ploy is! He's, however ineptly, trying to talk in riddles so that no sane person gets him. However, his Vedder-holics (fans who will worship him despite his mediocrity) will presumptuously attribute all kinds of "deeper" meanings to what's essentially gibberish of the highest order.
How about Edward Louis Severson III's further BS-penned drivel, Society? Here, a twisted and unhealthy thought pattern that gives a distressing look into his mind is uncovered. Read the lyrics:
If less is more
how you keepin' score?
Wow, profundity, thy name is Edward Louis Severson III!!!! Witness how "expertly" he was able to rhyme "more" with--get this--score!" All he did was play on an overused cliché, and there you have it: more idiotic and profundity-deprived lyrics which will, sad to say, get all the Vedder-holics into tizzies of assumption, presuming that Vedder's somehow conveying something "philosophical" or what have you. Further, do you "bright" Vedder-holics all see the flagrant thought pattern in his elementary school-style lyrics? He's obviously racked with hypocritical, liberal guilt about how much money he has because he--like Hillary and Obama--knows exactly how this makes him unable to relate to all the "little people" he's always BSing that he wants to help!
Edward Louis Severson III is also a barbarically insufficient musician; this is incriminatingly demonstrated in the fact that despite him playing all instruments on Into the Wild, they all, however, sound like they were played by monstrously inexperienced, freshman, high-school kids, who were just messing around in their parents' garages with instruments they neither knew how to play or ever saw before!!!!
One thing that absolutely galls me with Pearl Jam (j*zz) fans is they obstinately still insist that Edward Louis Severson III is an awesome singer and musician who's still relevant...BS! Nothing could be further from the truth, yet the sycophant, probably liberal Vedder-holics obstinately refuse to listen to this proper criticism. Geez, and they say GW Bush never listens, sheesh! Anyone with intellectual honesty knows that Edward Louis Severson III's pipes have been irreparably dilapidated since 2000's Binaural. That is to say that he hasn't been able to sing at a peak level since any of Pearl Jam's (j*zz's) albums of the nineties. If you compare anything from the nineties (Ten, Vs., Vitalogy, No Code, Yield) to how Edward Louis Severson III sings on Into the Wild, you'll notice an unpardonable difference. Whereas he used to sing like a raging lion in the nineties, now, Edward Louis Severson III sings like a deflated, asthma-suffering old man who doesn't have the lung strength to belt it out anymore. I also demand that the Vedder-holics realize that Edward Louis Severson III is probably a closet Republican living in the suburbs due to his enormous wealth; there's nothing progressive or liberal about a preppy millionaire living in Seattle and flying lear jets around the world!!!!
I want to end this so-far, award-winning review for Into the Wild's soundtrack by rhetorically asking:
So, Vedder, how's that Vote for Change Tour from 04 working out? Did you manage to get John "Flip-Flop" Kerry elected? How's that kick GW Bush out of office thang going???? How's that traitorous effort to reign in the Patriot Act coming? How's the Dem effort to "end" the war going?? Are the troops finally out of Iraq prematurely????
MUAHAHAHAHAHAHA! MUAHAHAHAHAHAHA!
By the way, I want to wish all liberals who read this a belated-but-happy Easter season!!!!
Description of Music for the Motion Picture Into the Wild
track listing and sequence subject to changeTaking a break from his day job fronting rock heavyweight Pearl Jam, Eddie Vedder immerses himself into the big-screen story of a young man who gives all his money to charity and hitchhikes to a new life--and his eventual death--in the wilds of Alaska. Prompted by the film's creator, Sean Penn, to contribute to the musical score, the Seattle musician tackled the entire project, playing every instrument on the soundtrack's nine original and two cover songs. Vedder contemplates the traveler "setting forth in the universe" in the opener "Setting Forth," then tracks in the remaining songs the realizations and disillusionments that follow. A wish comes true in banjo-plucked "No Ceiling" to "up and disappear," while affluence is questioned on the hard-rocking "Far Behind," with Vedder singing, "Empty pockets will/Allow a greater sense of wealth." No song in the album's first half exceeds two-and-a-half minutes, remedied by Vedder's pertinent five-minute stamp on the remake of Indio's "Hard Sun," complete with eerie backing vocals by Sleater-Kinney's Corin Tucker. The songwriter puts wealth on the hot seat in "Society," questioning, "If less is more/How you keepin' score?" The darkly sung folk song bookends the reticent declaration "Guaranteed," wonderfully delivered and quietly strummed, in which the prodigal Vedder wraps the journey in one line: "Leave it to me as I find a way to be/Consider me a satellite forever orbiting." (The record is packaged like a hardcover book, with vivid photography and lyrics.) --Scott Holter
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