Great Concerts: Chicago 1946 (Slim)

Duke Ellington - Great Concerts: Chicago 1946 (Slim)

Great Concerts: Chicago 1946 (Slim)
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CD Details

Artist: Duke Ellington
Edition: Music CD
Audio: English (Unknown)
CD Release Date: 2010-01-12
Music Label: Nimbus Records
Soundtracks:
Music CD 1
  1. Ring Dem Bells
  2. Jumpin' Punkins
  3. Beale Street Blues
  4. Memphis Blues
  5. The Golden Feather
  6. The Air-Conditioned Jungle
  7. A Very Unbooted Character
  8. Sultry Sunset
  9. The Deep South Suite: Magnolias Just Dripping With Molasses
  10. The Deep South Suite: Hearsay
  11. The Deep South Suite: There Was Nobody Looking
  12. The Deep South Suite: Happy-Go-Lucky Local
  13. Things Ain't What They Used to Be
  14. Hiawatha
  15. Ride, Red, Ride
  16. A Blues Riff
  17. Improvisation #2
  18. Honeysuckle Rose
  19. Blue Skies (Trumpet No End)
Music CD 2
  1. Star Spangled Banner
  2. In a Mellotone
  3. Solid Old Man
  4. Come Sunday, Work Song
  5. Rugged Romeo
  6. Circe
  7. Dancers in Love
  8. Coloratura
  9. Frankie & Johnny
  10. Caravan
  11. Take the a Train
  12. Mellow Ditty
  13. Fugue
  14. Jam a Ditty
  15. Magenta Haze
  16. Fitter Panther Patter
  17. Suburbanite

Music reviews of Great Concerts: Chicago 1946 (Slim)

Music Review: Ellington Concert Classic
Rating: 5 Stars

This CD contains two separate concerts recorded at the Chicago Civic Opera on Jan.20 and Nov.10, 1946. During this period, Duke Ellington was primarily focused on creating and performing extended musical arrangements. He still maintained a touring schedule to support the orchestra but his artistic interest rested with concert hall performances. Prime examples, were the Carnegie Hall concerts conducted annually from 1943 through 1947. Among Ellington aficionados, these recorded concerts are greatly prized as Duke's musical journey into more serious jazz compositions. Listening to the Carnegie Hall concerts is a mixed blessing of "what was" and "what could have been". On one hand, the combination of Ellington standards with the newly created extended suites is inspiring but the sound quality leaves much to be desired. Criticism has also been leveled at the extended introductions to each composition and the lengthy audience applause following each number. Regardless of the perceived shortcomings, these albums/CDs were treasured as the only live recordings representing Ellington's 40s era concert presentations.
Now, with the release of the Great Concert at the Chicago Civic Opera, listeners have a representation of the 40s concerts presented in a greatly enhanced audio experience. The sound quality is superior to any live Ellington recording of this period. The credit for this belongs to John Steiner's use of overhead mics to record the concert. Also deserving recognition is Larry Appelbaum for remastering the original acetate recordings. Further enhancements have been achieved by editing out the spoken word introductions and by modifying the audience applause.
Combined, the two concerts extend to 140.55 minutes and comprise 36 compositions. All but one of these numbers is limited to five minutes or less. The one exception is" Come Sunday, Work Song", from the Black, Brown and Beige suite which extends to 11.46 minutes
The performing musicians are all legends. A partial list includes, Cat Anderson, Ray Nance, Johnny Hodges, Al Sears, Harry Carney, Oscar Pettiford and Sonny Greer. A special bonus is the addition of Django Reinhardt playing lead guitar on four tracks from the Nov. 10 date. This marks the only time Ellington and Reinhardt were recorded performing together.
The liner notes, which provide a comprehensive background on each selection, are authored by Stanley Dance. The project was produced with dedication and passion by Mercer Ellington.
Highly recommended for all who appreciate the music of Duke Ellington.
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