Dropkick Murphys - The Meanest Of Times
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CD Details
Artist: Dropkick MurphysEdition: Music CD
Audio: English (Unknown)
CD Release Date: 2007-09-18
Music Label: Born & Bred Records
Soundtracks:
- Famous For Nothing
- God Willing
- The State Of Massachusetts
- Tommorow's Industry
- Echoes On 'A'. Street
- Vice And Virtues
- Surrender
- Flannigan's Ball
- I'll Begin Again
- Fairmount Hill
- Loyal To No One
- Shattered
- Rude Awakenings
- Johnny, I Hardly Knew Ya
- Never Forget
Music reviews of The Meanest Of Times
Music Review: An Opinion From a DKM Newbie
Rating: 4 Stars
I just got into DKM in the past couple of weeks. My first purchase was The Warrior's Code, which I absolutely love.
I bought The Meanest of Times today and have listened to it repeatedly all afternoon long. For what it's worth, here's what I think of it...
At first blush, it's not as bagpipe-heavy or overtly Celtic-sounding as The Warrior's Code. As the first reviewer noted, there are plenty of big choruses and upbeat songs, but this isn't Warrior's Code Part Two. This is something different.
Whereas Warrior's Code opened with bagpipes-aplenty, Meanest opens with a song called "Famous For Nothing" that features the sound of a school bell and children cheering (a la Alice Cooper's "School's Out"). Then it kicks in big time with a breakneck double-time riff and a huge chorus. It's a breathtaking way to open an album.
"God Willing" (track two) opens slowly with gentle electric guitar strumming before it springs wide open and reveals itself to be a punk rendition of a traditional-sounding Irish hymn ("God willing I'll see you on the other side"). Again, this is a huge chorus that will be killer to see performed live.
"The State of Massachusetts" (track three) is a corker, Irish-sounding all the way. Fist-pumping chorus. Raucous and raw. I love this song.
"Tomorrow's Industry" (track four) is more punk than Celt, not even pretending to sound Irish. It begins with a "One, two, three, four!" and then...slam! It's going full tilt. It's okay, but not my favorite track on the album.
"Echoes On 'A' Street" (track five) is a decent song, but there's not much about it that stands out to me, other than the larger-than-life chorus that a live audience could sink it's teeth into.
"Vices and Virtues" (track six) is another punk rocker. Reminds me of the Sex Pistols or The Clash. Since I prefer Celtic-flavored instruments and themes, I'm not too hip on this track.
"Surrender" (track seven) is a toe-tapper. I love the driving chord progressions. It's quite melodic, despite the shouting vocals. Frankly, this is an air-guitar, dance-around-like-a-nutbag song that is as infectious as any I've ever heard. Love it.
"(F)Lannigan's Ball" (track eight), is another corker with Irish jig written all over it. From the liner notes: "Dedicated to the memory of Mrs. Diedre Drew. On July 2nd, 2007, we flew to Dublin to record the song "(F)Lannigan's Ball" with our good friend Spider from the Pogues and the legend himself, Mr. Ronnie Drew from the Dubliners." It doesn't get any more Irish than this!
"I'll Begin Again" (track nine) is a full-bore punk rocker with bashing guitars and a rapid-speak chorus that runs all the words together "I'llbeginagain...I'llbeginagain...."
"Fairmount Hill" (track ten) reigns in the bashing and opens with acoustic guitar and an Irish melody straight from the Emerald Isle. In fact, quite literally. From the liner notes: "A Boston take on the traditional tune 'Spancil Hill'." "Fairmount" becomes a mid-tempo song that's more ballad than basher. A great song.
"Loyal To No One" (track eleven) is dedicated to "a miserable bast**d [who] will suffer on alone to the bitter end rather than admit they were wrong." The lyrics are, of course, spit out in anger, each word dripping with sarcasm.
"Shattered" (track twelve). Pure punk angst. Not much Celtic about this track. It's just aggression and a pin prick in the side of those who pretend to be something they're not. ""Shattered, shattered, when people aren't always what they seem..."
"Rude Awakenings" (track thirteen), a song about the ravages of love, is a return to a Celtic sound: Bagpipes and a rousing chorus...then another "One, two, three, four!" and the song picks up the pace, and cranks up the bitterness level: "I thought it was all just a nightmare, I guess it was true...but now I'm left with a daily reminder of you." The perfect song for drunken, jilted lovers.
"Johnny, I Hardly Knew Ya" (track fourteen) is based on "When Johnny Comes Marching Home." Rousing, but typically melancholy. [CORRECTION: I wasn't aware that the song most often associated with America's Civil War was based on a song called "Johnny, I Hardly Knew Ya." That's the kind of stuff I love to know. Thanks, Felix!]
"Never Forget" (track fifteen)...ahhh, the bagpipes are back. I love it when DKM sets the tone of a song by beginning it with bagpipes, then kicking in with guitar and a big-a** chorus. "Never Forget" is "a song about what's really important when it's all said and done." This is a great song and the perfect way to end the album. DKM has life figured out, man: "When you got love and we got family, keep 'em close and don't forget, to hold them right there in your heart, when you got love and family."
Overall, I think The Meanest of Times will be a solid album for DKM -- especially if you dig their more aggressive punk-rock songs. I don't think it breaks any new ground, and it's not as good as The Warrior's Code to my ears, but it's great music from start to finish -- all of which ought to cause any fan to say, "Glory be!" in concert.
Description of The Meanest Of Times
DKM come out swinging with their sixth studio album; a collection of tales about family, loyalty, and remembering where you came from. It contains all the best elements of the band's sound: a complex distillation of classic punk rock, Celtic folk, and American rock 'n' roll. It puts the band's diversity, intensity, and sincerity on full display. Consolidating strong sales history with digital single sales of 250,000 for "I'm Shipping Up To Boston", which was the title track in Martin Scorcese's Academy Award winning film, "The Departed". For fans of The Pogues, The Clash, Stiff Little Fingers, AC/DC, Bruce Springsteen.After hitting it semi-big when "I'm Shipping Up to Boston" (from 2005's The Warrior's Code) was prominently featured in Martin Scorcese's Oscar-winner The Departed, Dropkick Murphys return with another round of punch-drunk punk on The Meanest of Times (it's unclear whether the title refers to the current state of world affairs or the scowling Catholic schoolyard hooligans depicted on the record's cover...). Continuing their usual melding of the Pogues' raved-up Celtic strains with the bouncy energy of early Green Day, the result is somewhere on the lines of If I Should Fall from Grace with God getting in a fender-bender with Dookie--seven Boston punks can sure make a lot of noise. Life isn't only a party for the band, however, and there's more than a dash of Springsteen's somber human portraits in the broken-down company men and damaged families observed in songs like "Tomorrow's Industry" and "Surrender". The Meanest of Times' aggressive musical swagger and driving instrumentation don't obscure the fact that the Dropkick Murphys have something insightful to say. --Ben Heege
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