Blowout Comb

Digable Planets - Blowout Comb

Blowout Comb
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Category: Music CD
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CD Details

Artist: Digable Planets
Edition: Music CD
CD Release Date: 1994-10-18
Music Label: Capitol
Soundtracks:
  1. The May 4th Movement
  2. Black Ego
  3. Dog It
  4. Jettin'
  5. Borough Check
  6. Highing Fly
  7. Dial 7 (Axion of Creamy Spies)
  8. The Art of Easing
  9. K.B.'s Alley
  10. Graffiti
  11. Blowing Down
  12. 9th Wonder (Blackitolism)
  13. For Corners

Music reviews of Blowout Comb

Music Review: "Rolling with the seven and the crescent puffin' some expression" (5 stars)
Rating: 5 Stars

There's a few reasons that Digable Planet's sophomore album "Blowout Comb" is one of my top 10 favorite hip-hop albums ever made. First and foremost, the mix of jazz & hip-hop, in my opinion, is one of the most organic and natural mash-ups of two genres I've ever heard. And one could argue that "Blowout Comb" is the purest mixture of these elements. Fresh off of the grammy-success of their debut "Reachin' (A New Refutation of Time and Space)", DP hit the studio again to release their most artistic vision of their painfully short-lived career in 1994.

Their artistic vision is considerably richer on their sophomore effort, although it never reached the commercial heights of their debut. The production, which favors live instrumental jaunts and free-flowing jams that relate to everything from pop-jazz to the pureness of bop, is simply superb. Much of that is thanks to King Britt's exquisite vision as the group's producer/DJ. The production is a marked improvement here, as well as the rapping from Butterfly, Doodlebug & Ladybug Mecca. Their content is sharper, consciously sound, and their flows are more remarkable & focused than ever before. Ladybug Mecca in particular is arguably my favorite female rapper in the game (skills and looks...lol), and Doodlebug as well as Butterfly more than hold their own under a blanket of originality.

The album never lulls. In fact, as it moves, it feels as if it only gets stronger throughout it's 62-minutes in length. Two of the most superb cuts are stuck on the end - the chart-hitting, James Brown inflicted "9th Wonder (Blackitolism)" & the 7-minute anthem "For Corners". "Dog It" is a favorite due to the absolutely lush horn samples. "Dial 7 (Axioms Of Creamy Spies) / NY 21 Theme" featuring Sarah Anne Webb also enjoyed some well-deserved time on the charts. The guest choices are also fantastic. Guru shows up on "Borough Check", and Jeru The Damaja shows up on "Graffiti" - both excellent tracks that never detract from the album's golden feel. "Jettin'" is also a favorite, and it's just one of roughly five time Bob James is sampled here. Nothing here feels out of place in the least.

Ultimately, the more politically-charged & Afro-centric vibe's that "Blowout Comb" held over "Reachin..." may be the reason it didn't enjoy the mainstream success of it's predecessor. Artistically, the Planets prove they are no fluke, and "Blowout Comb" deserves any and all recognition it receives as being one of the finest hip-hop albums ever made. Classic. Pure and simple.

Description of Blowout Comb

In 1993, the Digable Planets, a trio of New York MCs with happy insect monikers (Doodlebug, Butterfly, and Ladybug) and nonthreatening auras, created manna for the pseudo-beatnik crowd. On Reachin': A New Refutation of Time and Space they melded jazz records, hip-hop beats, and rhymes--like Gang Starr and the Dream Warriors before them. Much to their dismay, the single "Rebirth of Slick (Cool Like Dat)," which combined their be-boppy flows with a catchy Art Blakey loop, captured the clove cigarette contingent. Their sleeper follow-up, Blowout Comb was a De La Soul-esque reaction to their pop success. They forsook the bohemians (and probably scared them as well) by waxing poetic about the Black Panthers and Fidel Castro and giving shout-outs to their peeps in the Five Percent Nation of Islam. Loaded with live instrumentation, the album includes "Black Ego," an interpolation of a popular Meters composition laced with nice guitar plucks, and "K.B.'s Alley," where a schizophrenic trombone perfectly complements their wordplay. Despite strong guest spots by vet female DJ Jazzy Joyce, Guru, and Jeru the Damaja, it's the hidden messages, somber mood, and understated beats of "9th Wonder (Blackitolism)" or "Dial 7 (Axiom Of Creamy Spies)" that outshine the gloss of their debut. --Dalton Higgins

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