Dianne Reeves - The Calling: Celebrating Sarah Vaughan
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CD Details
Artist: Dianne ReevesEdition: Music CD
CD Release Date: 2001-02-13
Music Label: Blue Note Records
Soundtracks:
- Lullaby of Birdland - Dianne Reeves, Shearing, George
- Send in the Clowns - Dianne Reeves, Sondheim, Stephen
- Speak Low - Dianne Reeves, Nash, Ogden
- Obsession - Dianne Reeves, Caymmi, Dori
- If You Could See Me Now - Dianne Reeves, Dameron, Tadd
- I Remember Sarah - Dianne Reeves, Reeves, D.
- Key Largo - Dianne Reeves, Suessdorf
- I Hadn't Anyone Till You - Dianne Reeves, Noble, Ray
- Fascinating Rhythm - Dianne Reeves, Gershwin, George
- Embraceable You - Dianne Reeves, Gershwin, George
- A Chamada (The Call) - Dianne Reeves, Nascimento, Milton
Music reviews of The Calling: Celebrating Sarah Vaughan
Music Review: What A Gorgeous CD!
Rating: 5 Stars
"The Calling is a celebration of The Divine One, as she was called by Dianne Reeves, a younger singer who shares many of Vaughan's gifts: a gleaming, pitch-perfect voice, a multi-octave range, and a harmonic sense that takes her on some remarkable flights of fancy. Like Vaughan, Dianne has a fondness for crossing musical borders as if they didn't exist." ~ James Gavin ~
I share James Gavin's sentiments written on Liner Notes about Dianne Reeves, whose artistry I first appreciated upon hearing some of her most remarkable recordings such as "Better Days," "Bridges" and "A Little Moonlight." Diane Reeves gives a beautiful and sincere tribute to a legendary jazz singer with the most recognizable voice, Sarah Vaughan. A chanteuse-extraordinaire herself, she performs with a full orchestra filled with L.A.'s top studio players with the sublime chart arrangements of Robert Freedman and a Grammy-award winner, Billy Childs, who arranged most part of this album and who also plays piano on some tracks. Incidentally, Billy Childs whom I added lately to my list of all-time favorite brilliant arrangers/conductors in the league with Nelson Riddle, Johnny Mandel and Billy May, among others, has also worked with Chris Botti, Diana Krall and Gladys Knight. His works in this CD are all masterpieces of beauty and style. This tribute CD, "The Calling: Celebrating Sarah Vaughan" is one of the best CDs ever produced in the history of jazz music.
Allow yourselves to be swept away by the enchantment of two of my top favorite tracks here, "Speak Low" and "Embraceable You." Ms. Reeves made these timeless gems her own by flawlessly interpreting them in a mesmerizing fashion with her satiny and bluesy voice. "Speak Low" is incredibly beautiful with its Bossa Nova inspired arrangement! I couldn't believe my ears were listening to the most beguiling version I've ever heard of this classic from Kurt Weill and Ogden Nash. It is definitely my favorite rendition of all-time! It features Mulgrew Miller on piano, a fine Brazilian guitarist, Romero Lubambo on acoustic guitar and Munyongo Jackson on percussion. A classic of a gem from George and Ira Gershswin "Embraceable You" is also an ear-candy track where you could hear the creative talent of one of the finest guitarists in the jazz scene today, Russell Malone.
Ms. Reeves dazzles as she sings George Shearing's masterpiece, "Lullaby of Birdland" showcasing her knack for scatting. Ditto with a passionate and charming performance on Stephen Sondheim's "Send In The Clown," and an upbeat and zesty gem from the Gershwin Brothers, "Fascinating Rhythm." And not to mention an anchingly beautiful song which is rarely-recorded but Ms. Reeves made it so special by her emotional rendition, "If You Could See Me Now," a torch song by Tadd Dameron and Carl Sigman, who was also known for his enduring hit songs "Ebb Tide," "Answer Me," "Arrivederci Roma" and "It's All In The Game."
"If you could see me now
You'll find me being brave
Trying awfully hard to make my tears behave
But that's quite impossible
I'm still in love with you
You happen my way on some memorable day
And the month will be May for a while
I'll try to smile, but can I play the part
Without my heart behind the smile."
Ms. Reeves shows off her songwriting talent in "I Remember Sarah," which she co-wrote with Billy Childs. It has been said that she just sat on the piano with Mr. Childs and made up the lyrics spontaneously.
According to Dianne Reeves: "Making this CD is a fulfillment of a dream born when I first heard Sarah Vaughan as a teenager. The dream continued to grow as I marveled at her magical touch with lyrics, melodies, harmonies and timbre."
She may not be another Sarah Vaughan for I believe that Sarah was Sarah, and Dianne is Dianne, but Ms. Reeves did an excellent job with this tribute to her musical hero. Both have the most alluring voices and exceptional singing styles of their own.
This award-winning CD for the "Best Jazz Vocal Album" at the 2001 Annual Grammy Awards deserves more than five stars and it is a gorgeous addition to your collection. A must-have for jazz lovers.
* * * * * TEN STARS * * * * *
Description of The Calling: Celebrating Sarah Vaughan
In the wake of the sometimes uneven live album In the Moment, Diane Reeves returns in exceptional form with a concept album, The Calling: Celebrating Sarah Vaughan. A tribute to one of jazz's legendary heroines, The Calling catches the many moods of the singer who became known simply as Sassy, delving into songs the jazz great popularized, including "Lullaby of Birdland" and "Send in the Clowns." On "Lullaby," Reeves summons Sassy's ghost with familiar phrasing and a majestic, powerful delivery. But it is on the lesser-known Vaughan numbers that Reeves really excels, making the standards her own. "Obsession" was recorded by Vaughan on her final album, 1987's Brazilian Romance. Reeves explores the emotional vehicle like an eagle, soaring grandly over surging orchestral accompaniment. Reeves then changes mood with an intimate cocktail version of "If You Could See Me Now" that includes a graceful piano solo by Mulgrew Miller. "I Remember Sarah" recalls the self-involved "The First Five Chapters" from Reeves's In the Moment album, but again, the outstanding full orchestra (featuring Billy Childs, Greg Hutchinson, Russell Malone, and George Duke) is so inspired and lush that it's impossible to remain unmoved. Reeves also offers a splendid, bopping, Afro Cuban version of "Fascinatin' Rhythm." Other Vaughan favorites include a lusciously swinging reading of "Key Largo," and a delightful take on "I Hadn't Anyone Till You," with Clark Terry humorously joining in. Again, this recalls Vaughan in her swinging, stunning prime. Reeves is obviously no Sarah Vaughan clone, but by surrounding herself with gloriously realized orchestral accompaniment and Sassy's indelible songs, she both pays respect and sets herself apart. --Ken MicallefTraditional Vocal Pop CDs
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