Stunts Blunts & Hip Hop

Diamond - Stunts Blunts & Hip Hop

Stunts Blunts & Hip Hop
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CD Details

Artist: Diamond
Edition: Music CD
CD Release Date: 1994-06-14
Music Label: Fontana Island
Soundtracks:
  1. Intro
  2. Best Kept Secret
  3. Sally Got A One Track Mind
  4. Step To Me
  5. Shut The'*!*!' Up
  6. '*!*!' What You Heard
  7. I'm Outta Here
  8. A Day In The Life
  9. Last Car On The 2 Train
  10. Red Light, Green Light
  11. I Went For Mine
  12. Comments From Big 'L' And Showbiz
  13. Check One, Two
  14. What You Seek
  15. Lunchroom Chatter
  16. Confused
  17. Pass Dat S**T
  18. Freestyle (Yo,That's That Sh...)
  19. K.I.S.S. (Keep It Simple Stupid)
  20. Stunts, Blunts, & Hip Pop
  21. Wuffman Stressed Out
  22. Feel The Vibe
  23. A View From The Underground

Music reviews of Stunts Blunts & Hip Hop

Music Review: It's the vibe you desire...(4.5/5)
Rating: 5 Stars

Diamond D's 1992 debut is a really underrated album from the golden era of east coast hip hop. Diamond would soon gain huge underground status as a member of the Diggin' in the Crates crew, the New York collective that gained acclaim for their clever battle rhymes and artistic beats using obscure samples from old recordings. But even when D.I.T.C. got press, Diamond always seemed to be overshadowed by the more recognizable names of Big L, Fat Joe, Showbiz & AG, Lord Finesse, OC, and Buckwild. "Stunts, Blunts & Hip Hop" is a classic that too many people are still sleeping on. In 1992, alternative New York hip hop was evolving with focused LPs on the heels of Pete Rock & C.L. Smooth's Mecca and the Soul Brother and A Tribe Called Quest's The Low End Theory. Diamond went against the grain, and "Stunts, Blunts & Hip Hop" is built around single songs. There's no pervading message or idea, the songs are all individually minded compositions. Diamond's a producer first and a rapper second, but here he establishes himself as an expert at both. His beats are wonderfully appealing, emitting a very breezy and light quality that gives off fun and cheerful vibes. The beats are built around simple loops and choppy instrumental samples, and his sound is unique and creative. He can come off as soulful and jazzy, but you wouldn't describe him primarily as either. Diamond is really entertaining on the mic too, and his raps reflect a lot of what was so great about hip hop in 1992. Even though this was a strictly underground album, the genre was in such a state that an LP like this could have major label distribution and even get radio spins. Diamond raps about the life of an urban average-Joe. He tells stories of awkward confrontations, female escapades, and living in New York. His flow and vernacular are pretty average, but he's got such a likable personality and character that you can't help but love his verses. "Stunts, Blunts & Hip Hop" doesn't have a bad track on it, and at 23 tracks and almost 70 minutes, that's really saying something. Even the musical interludes are all dope. Add some excellent collaborations and you've got the recipe for an awesome album, one which I highly recommend. If you like the sound of early-90s east coast rap, then you'll love this album, because everything that was so great about it is in abundance here.

After the intro, the album opens with the single "Best Kept Secret." A catchy beat and some light punchlines make this one a winner. The classic "Sally Got a One Track Mind" comes next, which has wonderful breezy production and a nice performance from Diamond, just pure dope hip hop. The thick, rich horns and classic New York attitude of "Step to Me" make the song a real highlight, and "*!*! What U Heard" is similarly nice. "I'm Outta Here" and "A Day in the Life" are the lyrical highlights of this album. The former is some excellent storytelling, telling of isolated troublesome events from the perspective of "John Doe." The latter, a collaboration with Brand Nubian narrating "a day in the life of three black men." Both tracks have nice loops and good vibes. The great "Red Light, Green Light" is upbeat, catchy, and laced with slick stories. "I Went for Mine" is also awesome, with a funky beat and the classic, breezy flute sample that Busta Rhymes would use for "New York S..." fourteen years later. "Check One, Two" and "What You Seek" are both solid products of 1992 hip hop, displaying the innocent, fun state of rap at that time. The beat on "Confused" is phenomenal, a rich and funky track with a soulful hook and clever rhymes, telling party tales, followed by the long D.I.T.C. posse cut "Pass Dat S..." The freestyle "Yo, That's That S..." and "K.I.S.S. (Keep It Simple Stupid" don't stand out but are both great in their own rights. The upbeat title track and great sax-laced "Feel the Vibe" close the album.

"Stunts, Blunts & Hip Hop" doesn't hit you over the head with lyricism or out-of-this-world production, but the incredible consistency and great feel of the album makes it a borderline classic. Diamond would go on to other good things in his career, and his debut remains one of his finest works. Slick punchlines, fun stories, and dope beats are the criteria for any D.I.T.C. album, and it's never more true than on this one. For the fans of D.I.T.C., Gang Starr, Brand Nubian, A Tribe Called Quest, and Pete Rock & C.L. Smooth, I hope you'll treat yourself to "Stunts, Blunts & Hip Hop." This one doesn't have the same recognition as concurrent releases by the artists previously mentioned, but it's just about every bit as enjoyable, it's feel good music.
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