Our Man in Paris

Dexter Gordon - Our Man in Paris

Our Man in Paris
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CD Details

Artist: Dexter Gordon
Edition: Music CD
Format: Extra tracks, Original recording reissued, Original recording remastered
CD Release Date: 2003-08-05
Music Label: Blue Note Records
Soundtracks:
  1. Scrapple From The Apple
  2. Willow Weep For Me
  3. Broadway
  4. Stairway To The Stars
  5. A Night In Tunisia
  6. Our Love Is Here To Stay
  7. Like Someone In Love

Music reviews of Our Man in Paris

Music Review: One of Blue Note's best albums.Dex,Bud and Klook in Paris!!
Rating: 5 Stars

Here is a very very essential album.One of Blue Note's most essential records.Paris,May 23,1963: Dexter Gordon,ts,Bud Powell,p,Kenny Clarke,dms and top french jazz bass player,Pierre Michelot,the only survivor of this outstanding quartet;or Dex meets the "Three Bosses",as the Bud/Klook/Michelot trio was called.Initially,Dexter should have recorded with Kenny Drew a set of tunes of his own;but it was decided to hire Bud,who was living in Paris the last years of his very short life,and logically,Michelot and Clarke followed.The bunch of new tunes written by Dex were forgotten,and everybody chose to play standards.Bud,among several troubles,could hardly learn new things at this time;but he was a giant when he was asked to play his repertoire,and the proof is here.Put together one of the most magnificent disciples of both Pres and Bird,the most awesome pianist with Hines and Tatum,and the father of modern jazz drumming,son of Jo Jones,add one of the best french musicians on bass,and you'll get some sublime music.Here may be Dexter Gordon's most magnificent album;his Lesterian roots meet some Golson and even Rollins' and Coltrane's influences ("Night in Tunisia");
his swing is purely incredible;Kenny Clarke's drumming is simply out of this world,so simple and yet so hardly swinging;maybe the most essential jazz drumming with Jo Jones' and Sam Woodyard's.And Pierre Michelot's bass support is really a very great one.
What about the tunes ? Here are essential versions of Bird's "scrapple from the apple",Dizzy's "Night in Tunisia",here is a sublime version of the incredible Ann Ronnell's evergreen,"willow weep for me",including superb solos by Bud and Pierre,here is the old "Broadway",in which Bud salutes Basie (the final notes),here are wonderful ballads,"stairway to the stars","our love is here to stay",and finally here is a trio track by the "Three Bosses","like someone in love",one of Bud's favorites.
Listening again to this album,it seems almost incredible to me to think that this music was recorded 40 years ago.It sounds more and more younger than most of today's jazz records.Here is not only Dexter's best effort,here is one of the most essential records of the history of jazz; a mixture of classical,Kansas City oriented music (Dexter's blowing will reminds you of Lester,Hershell Evans,Illinois Jacquet,Buddy Tate) and post-bop music (shades of Golson,Trane);Kenny Clarke,one of the monuments of jazz drumming with the Father,Jo Jones,and the disciples,Woodyard,Haynes,Blakey,Elvin J.,Butler,Lenny McBrowne,Roy Brooks,Ed Thigpen,Roach,etc,Kenny Clarke is at his most magnificent playing.Here is a gem in Blue Note's amazing catalog.Something you have to listen to !!!
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Description of Our Man in Paris

Dexter Gordon had been a European resident for two years when he made this create session, one of the greatest of his career, which reunited him with Bud Powell and Kenny Clarke for the first time since the '40s.

DEXTER GORDON: Tenor Sax
BUD POWELL: Piano
PIERRE MICHELOT: Bass
KENNY CLARKE: Drums

* bonus track, not part of original LP.


Recorded in 1963, this record finds tenor saxophonist Dexter Gordon at the top of his game during his Blue Note days. Leading a high-profile quartet comprised of pianist Bud Powell, drummer Kenny Clarke, and bassist Pierre Michelot, Gordon leaps through the complex "Scrapple from the Apple" with youthful aplomb and then nestles deep inside the bluesy lyricism of "Willow Weep for Me." Gordon's strengths as a balladeer resonate beautifully on "Stairway to the Stars," while his bebop prowess flexes mightily on "A Night in Tunisia." The rhythms crackle, the solos fly; Our Man In Paris is essential Dexter. --John Murph

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