Songlines

Derek Trucks - Songlines

Songlines
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CD Details

Artist: Derek Trucks
Brand: Baker & Taylor
Edition: Music CD
CD Release Date: 2006-02-21
Model: 827969284421
Music Label: Sony
Soundtracks:
  1. Volunteered Slavery
  2. I'll Find My Way
  3. Crow Jane
  4. Sahib Teri Bandi - Maki Madni; Sahib Teri Bandi\ Maki Madni
  5. Chevrolet
  6. Sailing On
  7. Revolution
  8. I'd Rather Be Blind, Crippled And Crazy
  9. All I Do
  10. Mahjoun
  11. I Wish I Knew (How It Would Feel To Be Free)
  12. This Sky

Music reviews of Songlines

Music Review: The Song Meets the Jam in Blissful Harmony
Rating: 5 Stars

Derek Trucks is one of the two or three most distinct and recognizable instrumental voices in popular music today. He's like Carlos Santana, in that he can toss in a 2-note lick and instantly you know its him.

This record is truly a "band" record. That might disappoint some, who were hoping to hear the songs as vehicles for Derek's extended shredding. Instead, the song is king, and Trucks uses his Jedi guitar is the service of the song.

Using Santana as a reference point, that makes this record more like Supernatural than Borboletta. Its easy to listen to, easy for the casual fan to get his or her ear around. "Revolution," for example, is as close to a radio-friendly single as Trucks has ever come. Yet the record is steeped in spirituality, in the healing power of music, and ulitimately the distinctions between the song and the jam seem to melt away into the sea of musical redemption.

The percussive work of Count M'Butu, enmeshed with drummer Yonrico Scott, gives the whole record a unified feel, a sort of World Music, African shimmy that ties together the middle-eastern-flavored numbers (the extended set piece, "Sahib Teri Bandi/Maki Madni"), the straight blues ("Crow Jane"), the R'n'B ("I Wish I Knew"), and the rockers ("Revolution.") The music hops genres, but the essential underpinning-- what the Aborigines thought of as "the labarynth of invisible pathways which meander all over Australia"-- is the deep network of "Songlines" that tie all the music together and lead to the heart. Trucks and company weave a magical web that revels in the interconnectedness of all things by embracing different musical forms and faces, connected at the root by these ancient, mystical songlines.

"Volunteer Slavery" serves as an incantation, a welcome into the record, flipping over into "I'll Find My Way;" here, vocalist Mike Mattison makes his entrance and establishes himself as a player to be reckoned with; Derek lays down his first significant solo about 4 minutes into the record, and its a quick hit-and-run. "Crow Jane," a jaunty 8-bar blues (a la "Key to the Highway"), starts as a bluesy call-and response between Derek's guitar and Mattison's vocals before the band kicks in.

"Sahib Teri Bandi/Maki Madni" is a segueing of two concert staples, 10 minutes of middle eastern vibe where Kofi Burbridge's flute steps to the fore to add color and texture. Derek takes several extended jaunts, and this is probably the piece on the album that most evokes the feel of the band's live performances.

"Chevrolet" is another blues, the rich percolation still present undrneath; "Sailing On" is a sweet melody that will bring a smile to your face; Mattison sings the hell out of it, Derek lays on the fire and ice. "Revolution" wants to be a million-selling duet with Santana; "I'd Rather Be Blind, Crippled and Crazy" is a percolating, funk of a shuffle, with bassist Todd Smalle laying down the groove, Derek's dobro slapping out twang over the top.

On "All I Do," the album begins its home stretch. "All I Do" is funked-up blue-eyed soul with a touch of church, and some of Derek's most inventive, jazzy playing on the record. "Mahjoun" is an instrumental track that harkens back to the opener, while charting a course for the two closing numbers, further on up the songline. "I Wish I Knew" is a soulful, joyous rave-up, almost gospel; Derek spatters a rainbow of joy across the sky on the outro.

The entrance of the closing "This Sky" is almost sacred, riding in the pocket where blues, jazz, soul, funk, and gospel flow together to become music of the heart. Derek's sublime play-out at the end puts the record to bed, Burbridge's flute providing a serene cushion, Mattison singing "Fly, fly away" in wistful tones as Derek's guitar does just that, gently ascending to the heavens.

At this point, you might be tempted to hit "play" again.
More Songlines free music reviews:
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Description of Songlines

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Just in his mid-twenties when this album was released in early 2006, the guitar tone of Allman Brothers Band guitarist Derek Trucks (nephew of founding drummer Butch) has become one of the most recognizable sounds to be squeezed out of the instrument. Snake-like, swampy, and filled with tense soul, his slide work has been compared to Ry Cooder's, and perhaps inevitably, to Duane Allman's. On his first album of new studio material in four years, Trucks steers his malleable band through a heady blend of jazz, Jamaican, gospel, blues, and world music, occasionally even combining styles in a single track. Any disc that covers deep soul man O.V. Wright, Pakistani music legend Nusrat Fateh Ali Khan, and reggae journeyman Toots Hibbert can't help but swim in eclectic waters. But Trucks pulls it all together with a sure sense of flow and arrangements that never let the tunes descend into free fall.

Soul singer and newest band member Mike Mattison acquits himself admirably, bringing a tough gospel edge to "I Wish I Knew (How It Would Feel to Be Free)," an airy, ethereal quality to the floating "This Sky," and gruff spirit to the original rocker "Revolution." Although there are plenty of solos, Trucks's structured approach never lets the tunes sink into aimless jams, navigating his lines around the verses rather than vice versa. As classy and controlled as his rather stoic stage presence, Songlines confirms Derek Trucks's status as one of music's most innovative, fearless and affecting guitar players, regardless of age. --Hal Horowitz

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