Photo Album

Death Cab for Cutie - Photo Album

Photo Album
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CD Details

Artist: Death Cab for Cutie
Edition: Music CD
Audio: English (Unknown); English (Original Language)
CD Release Date: 2001-10-09
Music Label: Barsuk
Soundtracks:
  1. Steadier Footing
  2. A Movie Script Ending
  3. We Laugh Indoors
  4. Information Travels Faster
  5. Why You'd Want To Live Here
  6. Blacking Out The Friction
  7. I Was A Kaleidoscope
  8. Styrofoam Plates
  9. Coney Island
  10. Debate Exposes Doubt

Music reviews of Photo Album

Music Review: Finally, there is clarity...
Rating: 5 Stars

This is one of my favorite DCFC albums. There is something so mystifying and strong about Ben Gibbard's lyrics that hits you from chord one and does not let up until the last strain fades away. The quality of music in this album is up from previous efforts which takes away some of the old indie DCFC vibe, but allows lyrical beauty through. The softness of the melodies is striking in its simplicity. The music really is beautiful, but the lyrics are very real and emotional, especially those in the song, "Stryofoam plates" in which a dead beat dad's funeral is portrayed from the eyes of his tortured child.

Steadier Footing: the melancholy tone of this song sets the mood for the whole album. It is a great opening song, it is short, but the lyrics are simple and strong. It is melodically pleasing, as are all of the other songs on the album. The poignant lyrics that have marked Death Cab's style are seen right from the first line in this song.

A Movie Script ending: wonderfully crafted song--the rhythm of the guitar and the steady beat are really mesmerizing and stick into your head for hours, if not days at a time. It is mellow, soft, but possesses an irresistibly catchy quality.

We Laugh Indoors: this track has a heavier beat, and is more moody. The whispered lyrics are a wonderful contrast to the persistent beat of the drum in the background. About half way into the track, when Gibbard starts mutedly screaming, the emotions really seep forth from his pained lyrics. It is wonderful, but then the somber mood returns until the song ends.

Information travels faster: I love this track. The backing melody reminds me of Depeche Mode, but that could just be me and my obsession with 80s music. The piano adds a spectacular elements to an already great song.

Why you'd want to live here: This is a more upbeat song, a really cool pop/indie rock song. As Gibbard sings about his experience in Los Angeles and innocently asks why anyone would want to live there. My favorite line from this song is "the greyhounds keep coming dumping locusts into the street until the gutters overflow and Los Angeles thinks, "I might explode someday soon." The whole song really perfectly describes LA--even though it is close to my heart, I have to agree wholeheartedly with the description of the city. The line, "is this the city of angels or demons," sums up the song perfectly.

Blacking out the friction: The strength of the lyrics in this song is stunning. "I think that it's brainless to assume that making changes to your window's view will give a new perspective." Someone trying to change their life by just leaving, picking up and going somewhere new has no hope to change anything.

I was a kaleidoscope: my tied for first favorite track of the album. It is bouncy, upbeat--the inflection Ben Gibbard employs when he says Kaleidoscope is tingling. Once again, the tone of the music does not exactly fit the story of a relationship falling apart, but it completely works. It's an awesome track.

Styrofoam plates: the first time I heard the song, I mean really listened to the lyrics, I was awestruck. The song is sung from the perspective of an abandoned, embittered child as he describes his deadbeat dad, from childhood until the father's death. This is the most emotional track on the record, and it is one of the best. The painful truth of the lyrics is both disheartening and electrifying ... The lengthy instrumental in the middle of the song really allows the audience to ponder the significance of this man in turning his son into the angry and lonely kid. As Gibbard warbles the last few lines, you can hear him breaking apart, and that's what makes this song so powerful.

Coney Island: Another favorite track of mine. It is slow, and the music is labored, as it would be on a hot summer's night at Coney Island. It reminds me of something left behind and how the memory lingers on and on. "Everything was closed at Coney Island, and I could not help from smiling. Brooklyn will fill in the beach eventually, everyone will go except me..."

Debate expresses doubt: This is a gorgeous song about relationships, as many of their songs are. But the final stanza of the album really leaves us yearning for more: "finally there is clarity and there is purpose after all, but every night ends
the same as I'm collapsing once more by your side. Finally there is clarity: this tiny life is making sense, and every drop numbs the both of us, but I alone am staggering." The album fades with the tinkling of a piano--and then you realize that the album is over as soon as it has begun.

Great songwriting--lyrical prowess are the mark of this album. Simple put, it is great. I recommend this album and also suggest that anyone who is looking to get into DCFC should also listen to their other albums, starting with Something About Airplanes and going to Transatlanticism. Also, for a different, more electronic sound marked by the same lyrical styling, check out Give Up by the Postal Service, Ben Gibbard's side project.

More Photo Album free music reviews:
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Description of Photo Album

3rd full-length from Seattle indie darlings features guest appearances by Sean Nelson, John Vanderslice & James Mendenhall ,on Barsuk Records.
Death Cab for Cutie turn difficult personal issues into literary rock songs while straddling the narrow line between blissful pop and driving indie rock. The Northwest act's songs soar high like Built to Spill's or Beulah's, and almost every track on The Photo Album is as musically bouncy and upbeat as the best of those bands. As catchy as the songs on The Photo Album may be, though, it's really front man Benjamin Gibbard's comfort with laying his emotional issues bare that makes this an excellent album. "Styrofoam Plates" is the most stunning track, with words that leave chills long after they've disappeared. As Gibbard sings about anger for a dead father ("It's not quite a stretch to say you were not quite a father / But a donor of seeds to a poor single mother / That would raise us alone / We never saw the money / It went down your throat down the hole in your belly"), his stark honesty makes this dysfunctional family story the most compelling piece of this album. The other issues of clumsy relationships pale a little in comparison, but The Photo Album still leaves little doubt that Death Cab deserve all the indie rock accolades they have received. --Jennifer Maerz

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