Danny Elfman: Music for a Darkened Theatre, Film & Television Music, Vol. 1

Danny Elfman: Music for a Darkened Theatre, Film & Television Music, Vol. 1

Danny Elfman: Music for a Darkened Theatre, Film & Television Music, Vol. 1
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CD Details

Composer: Danny Elfman
Conductor: John Coleman
Conductor: Shirley Walker
Conductor: William Ross
Conductor: Steve Bartek
Performer: The Sinfonia of London
Orchestra: National Philharmonic Orchestra
Edition: Music CD
Audio: Albanian (Original Language); Arabic (Original Language); English (Original Language); French (Original Language); German (Original Language); Hebrew (Original Language); Hindi (Original Language); Italian (Original Language); Japanese (Original Language); Russian (Original Language); Spanish (Original Language); Swahili (Original Language); Swedish (Original Language); Turkish (Original Language)
Format: Soundtrack
CD Release Date: 1990-10-15
Music Label: Fontana Mca
Soundtracks:
  1. Excerpts From: Pee Wee's Big Adventure
  2. Excerpts From: Batman
  3. Excerpts From: Dick Tracy
  4. Excerpts From: Beetlejuice
  5. Excerpts From: Nightbreed
  6. Excerpts From: Darkman
  7. Excerpts From: Back To School
  8. Excerpts From: Midnight Run
  9. Excerpts From: Wisdom
  10. Excerpts From: Hot To Trot
  11. Excerpts From: Big Top Pee Wee
  12. Excerpts From: The Simpsons
  13. Excerpts From: Alfred Hitchcock Presents: The Jar
  14. Excerpts From: Tales From The Crypt
  15. Excerpts From: Face Like A Frog
  16. Excerpts From: Forbidden Zone
  17. Excerpts From: Scrooged

Music reviews of Danny Elfman: Music for a Darkened Theatre, Film & Television Music, Vol. 1

Music Review: Great compilation - and that's just the first half.
Rating: 4 Stars

I first got this on cassette in the summer of '94 and listened to it every day, drawn by its thematic range and compositional depth. And that was just side-one.

Elfman pioneered the sound that drives today's movie adaptations of comic-books and darker-themed children's stories. Side-One kicks things off with a rollicking, hyper-cartoonish theme from the first Pee-Wee movie - the one where Pee-Wee searches for his beloved bike. Elfman's theme contains layers of different rides - on tightropes, highways, in the middle of a NASCAR rally - which rudely yet melodically crash into each other.

The Batman entry actually contains several pieces - the opening credits, the extended sequence in the cathedral and the climax - which show Batman's darkened extreme at its "Frank Miller" best. (Dir. Tim Burton couldn't sustain the mood in the next sequel, and the franchise took a turn towards the camp of the TV series with the next 2 movies.)

The theme for "Dick Tracy" is perhaps the most romantic on this disc, a quality that surpasses the theme's comic-book origins, but ends on an ironic note that's pure Elfman.

"Beetlejuice" (opening & closing credits) gives Elfman's childish ID a chance to stretch its legs, or in this case, slam-dance.

"Nightbreed" is an enigma wrapped in a dark mystery, and that's just Elfman's score. Elfman's work on this movie is as good as the movie wasn't, having a more powerful narrative than the script - easily the best track on the entire disc, one likely to exceed the movie in its dose of chills.

"Darkman" doesn't quite rise to the occasion, though the score may be hobbled by the movie itself, which seldom surpassed one of the many "Batman" clones of the early 1990's. "Darkman" (the movie, I mean) excelled as a parody of many comicbook staples (the wronged hero, the relentless villain, the scientific breakthrough with just one flaw), but not enough to escape being largely anonymous. Within those constraints, it's still a moving if scary piece.

When is Elfman not like Elfman? When he was in the mid-late `80's and scored "Back to School" (A Rodney Dangerfield vehicle) and "Midnight Run". Horns in "School" bring it closer to Elfman's over-the-top style, while "Run" sounds like a love-theme for the run-down, out-of-the-way parts of America that seldom appear in Elfman-movies. "Run" is a fun score for a fun movie - it's nothing like Elfman's previous work but it perfectly captures the on-the-road-without-a-map craziness of the movie.

To this day, I don't know why I never ventured to Side-two, but it's irrelevant. Even half this disc is worth it
More Danny Elfman: Music for a Darkened Theatre, Film & Television Music, Vol. 1 free music reviews:
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Description of Danny Elfman: Music for a Darkened Theatre, Film & Television Music, Vol. 1

Film & Television Music Volume One. Small hole in barcode art.

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