Lebendige Vergangenheit: Nazzareno De Angelis, Vol. 2
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Performer: Nazzareno de AngelisComposer: Daniel-Francois-Esprit Auber
Composer: Arrigo Boito
Composer: Charles Gounod
Composer: Giacomo Meyerbeer
Composer: Wolfgang Amadeus Mozart
Composer: Louis Niedermeyer
Composer: Giacomo Puccini
Composer: Gioachino Rossini
Composer: Ambroise Thomas
Composer: Giuseppe Verdi
Performer: Eduardo Garbin
Performer: Elisa Petri
Performer: Ferruccio Corradetti
Edition: Music CD
CD Release Date: 2000-12-19
Music Label: Preiser Records
Soundtracks:
- La Calumnia
- E ancor silenzio
- Abbietta zingara
- Infelice e tuo credevi
- Ave Signor
- Vecchia zimarra
- Io son, signori, un infelice
- Grazie al cielo
- Suore che riposate
- Ave Signor
- Ecco il mondo
- E ancor silenzio
- Abbietta zingara
- A te l'estremo addio
- Vecchia zimarra
- Nume, custode e vindice
- Rammenta i lieti di
- Sofferto hai tu
- Io son, signori, un infelice
- Grazie al cielo
- Gloria a Dio
Music reviews of Lebendige Vergangenheit: Nazzareno De Angelis, Vol. 2
Music Review: The Young Nazzareno De Angelis.
Rating: 5 Stars
Nazzareno De Angelis was born with a naturally powerful and gorgeous voice. He is no more then 28 years old in any of these recordings, however the voice already sounds rich and mature. As his career went along the voice got higher. An interesting fact is that De Angelis strongly encouraged Maria Callas to sing bel canto roles. At the time he heard her sing she was singing heavier stuff and he told her he could already hear the damage. As far as this recording is concerned the voice sounds wonderful considering the years of the recordings.
The first tracks are with piano. Basilio's aria "La Calunia" is sung brilliantly by De Angelis. It is very interesting to hear the later version of this on the earlier volume. The second track from I Lombardi shows the ability De Angelis had to sing with different colors. The aria from Ernani is on this CD twice. Both recordings are equally effective and only a year a part. The superb bel canto technique of this singer really shows up in this aria. Both versions of "Vecchia Zimmara senti" get inside my heart. The dark color on the word "pianto" meaning I weep just penetrates into the heart. Two arias from Mefistophele "Ave Signor" and "Ecco il mondo" represent early recordings of the greatest interpreter of the Boito version of the Faust story in my opinion. The approach to the high F naturals is more lyrical then the approach in the later recordings. The aria "Il Lacerato Spirito" shows the versatility of De Angelis. The performance is beautiful and expressive. Every track is great on this CD, but "Gloria di Dio" from Gli Ignoti really stands out to me. The listener really gets a sample of how big a voice De Angelis had. Plus he handles the huge range with ease. Low E to high F sharp. The last piece "Ave Verum" is so spiritual in terms of the vocalism and expression. It is the only recording I know of representing De Angelis singing Art Song.s I highly recommend anything De Angelis recorded. This CD introduced me to repertoire I didn't know plus it constantly teaches me about Italian Diction and Bel Canto singing.
General CDs
- Styles > Classical
- Featured Composers, A-Z > ( B ) > Boito, Arrigo
- ( G ) > Gounod, Charles
- ( M ) > Meyerbeer, Giacomo
- Mozart, Wolfgang Amadeus
- ( P ) > Puccini, Giacomo
- ( R ) > Rossini, Gioacchino
- ( T ) > Thomas, Ambroise
- ( V ) > Verdi, Giuseppe
- Historical Periods > Classical (c.1770-1830) > General
- Opera & Vocal > General
- Historical Periods > Classical (c.1770-1830)
- Romantic (c.1820-1910)
- Languages > French
- Italian
- Vocal Non-Opera > Motets
- Gounod, Charles - Works by Gounod
- Meyerbeer, Giacomo - Works by Meyerbeer
- Mozart, Wolfgang Amadeus - Works by Wolfgang Amadeus Mozart
- Puccini, Giacomo - Works by Puccini
- Classical - Featured Composers, A-Z - ( B ) - Boito, Arrigo - General
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