Pell?as et M?lisande / von Stade, Stilwell, van Dam, Raimondi, Karajan

Pell?as et M?lisande / von Stade, Stilwell, van Dam, Raimondi, Karajan

Pell?as et M?lisande / von Stade, Stilwell, van Dam, Raimondi, Karajan
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Category: Music CD
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CD Details

Edition: Music CD
Format: Box set, Original recording remastered
CD Release Date: 1999-09-21
Music Label: EMI Classics
Soundtracks:
Music CD 1
  1. Pell?as et M?lisande, opera in 5 acts, L. 88: Pr?lude
  2. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 1.: "Je Ne Pourrai Plus De Cette For?t"
  3. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 1.: "Qu'Est-Ce Qui Brille Ainsi, Au Fond De L'Eau ?"
  4. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 1.: "Interlude
  5. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 2.: Voici Ce Qu'Il ?crit ? Son Fr?re Pell?as: "Un Soir, Je L'Ai Trouv?e"
  6. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 2.: "Je N'En Dis Rien"
  7. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 2.: "Grand-P?re, J'Ai Re?u En M?me Temps Que La Lettre De Mon Fr?re"
  8. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 2.: Interlude
  9. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 3.: "Il Fait Sombre Dan Les Jardins"
  10. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 1. Scene 3.: "Ho? ! Hisse Ho? ! Ho? !"
  11. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 1.: "Vous Ne Savez Pas O? Je Vous Ai Men?e ?"
  12. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 1.: "C'Est Au Bord D'Une Fontaine Aussi Qu'il Vous A Trouv?e ?"
  13. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 1.: Interlude
  14. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 2.: "Ah ! Ah ! Tout Va Bien, Cela Ne Sera Rien"
  15. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 2.: "Je Suis...Je Suis Malade Ici"
  16. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 2.: "Il Est Vrai Que Ce Ch?teau Est Tr?s Vieux Et Tr?s Sombre"
  17. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 2.: "Tiens, O? Est L'Anneau Que Je T' Avais Donne? ?"
  18. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 2.: Interlude
  19. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 2. Scene 3.: "Oui, C'Est Ici, Nous Y Sommes"
Music CD 2
  1. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 1.: "Mes Longs Cheveux Descendent De La Tour !"
  2. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 1.: "Oh ! Oh ! Mes Cheveux Descendent De La Tour !"
  3. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 1.: "Je Les Noue, Je Les Noue Aux Branches Du Saule"
  4. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 1.: Interlude
  5. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 2.: "Prenez Garde; Par Ici, Par Ici"
  6. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 2.: Interlude
  7. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 3.: "Ah ! Je Respire Enfin !"
  8. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 3.: "? Propos De M?lisande"
  9. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 3.: Interlude
  10. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 3. Scene 4.: "Ah ! Ah ! Petite M?re A Allum? Sa Lampe"
Music CD 3
  1. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 1.: "O? Vas-Tu ? Il Faut Que Je Te Parle Ce Soir"
  2. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 2.: "Maintenant Que Le P?re De Pell?as Est Sauv?"
  3. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 2.: "Pell?as Part Ce Soir"
  4. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 2.: "Une Grande Innocence"
  5. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 2.: Interlude
  6. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 3.: "Oh ! Cette Pierre Est Lourde"
  7. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 4.: "C'Est Le Dernier Soir"
  8. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 4.: "On Dirait Que Ta Voix A Pass? Sur La Mer Au Printemps !"
  9. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 4. Scene 4.: "Quel Est Ce Bruit ? On Ferme Les Portes"
  10. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "Ce N'Est Pas De Cette Petite Blessure Qu'Elle Peut Mourir"
  11. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "Attention: Je Crois Qu'Elle S'?veille"
  12. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "?tes-Vous Seul Dans La Chambre, Grand-P?re ?"
  13. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "M?lisande, As-Tu Piti? De Moi Comme J'Ai Piti? De Toi ?"
  14. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "As-Tu Aim? Pell?as ?"
  15. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "Qu'Avez-Vous Fait ? Vous Allez La Tuer"
  16. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "Qu' y-a-t-il ? Qu'est-ce Que Toutes Ces Femmes Viennent Faire Ici ?"
  17. Pell?as et M?lisande, opera in 5 acts, L. 88: Act 5.: "Attention... Attention"

Music reviews of Pell?as et M?lisande / von Stade, Stilwell, van Dam, Raimondi, Karajan

Music Review: The Best Pell?as...
Rating: 5 Stars

.
We have a new winner in the Best Pell?as category: Karajan/BPO's studio reading from 1978. This was Karajan's third time out with Debussy's magnum opus, and the Viennese conductor with his mastery of Wagner and Schoenberg perfectly captures Debussy/Maeterlinck's Symbolist masterpiece.

Maeterlinck was and remains an unique and important poetic/literary/theatrical innovator in the categories of Symbolism and proto-Surrealism. One must appreciate just how avant-garde his work was at the Fin de Si?cle. Even now his work retains its interest because of his abstraction of the human condition into a disoriented or dreamlike state. At its most basic, the interest of Pell?as et M?lisande is the human dilemma of a woman's love for a man. Maeterlinck's synthesis of connotative and denotative language distilled into elliptical phraseology continues to fascinate. He was, of course, awarded the Nobel Prize in 1911.

Till now thought Abbado/VPO's realization (sadly out of print) couldn't be surpassed Debussy - Pell?as et M?lisande / M. Ewing ? Le Roux ? van Dam ? Courtis ? Ludwig ? Wiener Phil. ? Abbado . And since Karajan's leave-taking, Abbado virtually ties with Boulez as Earth's greatest conductor--(even Boulez probably couldn't surpass Abbado's Wozzeck Alban Berg: Wozzeck (Opera in 3 Acts) - Franz Grundheber / Hildegard Behrens / Wiener Philharmoniker / Claudio Abbado ).

As for other critique, Ted Libby (on item site page) says it all.

In addition, Debussy enthusiasts will want to seek out his second greatest work Le Martyre de Saint S?bastien (complete version) Claude Debussy: Le Martyre de Saint S?bastien .
.

Description of Pell?as et M?lisande / von Stade, Stilwell, van Dam, Raimondi, Karajan

The payoff to Herbert von Karajan's relentless pursuit of ensemble perfection and beauty of sound can be heard in the playing of the Berlin Philharmonic on this recording: by 1978, when it was made, they were indisputably the most polished and flexible orchestra in Europe, and one of the few orchestras anywhere (including France) that was capable of playing French music with real authority. Fittingly, the orchestra is very much at the center of this account of Claude Debussy's uniquely beautiful opera, magnificently projecting the mysterious, darkly translucent world of its fatally entangled characters. The cast, which is led by two Americans--Richard Stilwell as Pell?as and the incomparable Frederica von Stade as M?lisande --and features a Belgian (Jos? van Dam) as Golaud and an Italian (Ruggero Raimondi) as Arkel, is a superb one, not least because those principals who are not French are nonetheless Francophones, and sing with excellent diction and an authentic delivery. Karajan's pacing of the drama, his skill at eliciting just the right intensity from the orchestra, his surpassing gentleness with the singers (balances are superb and every word comes through clearly), and the overall beauty of the orchestral playing make this not only the finest account of Pell?as et M?lisande yet recorded, but one of the most treasurable opera recordings ever, fully worthy of EMI's Great Recordings of the Century designation. --Ted Libbey

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