Bt - Movement in Still Life
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CD Details
Artist: BtEdition: Music CD
CD Release Date: 2000-06-06
Music Label: Nettwerk Records
Soundtracks:
- Madskillz (Mic Chekka)
- Never Gonna Come Back Down
- Dreaming
- Shame
- Movement In Still Life
- Satelite
- Godspeed
- Running Down The Way Up
- Mercury And Solace
- Smartbomb
- Love On Haight Street
Music reviews of Movement in Still Life
Music Review: A trip you will never come back down from.
Rating: 5 Stars
Let me put it this way: If I were to be stranded on an island, with a CD player, and batteries grew on the trees there, and was only allowed to bring five CDs with me, two of them would be "Movement In Still Life".
Yep, I said two.
Some goof decided to release this album twice with slightly different versions of the same songs, and put a couple of SLAMMING tracks exclusively on each one. "Namistai" and "Giving Up The Ghost", 2 of my favorite tracks on the yellow cover version, have been conveniently left off the BT cover version. Vice versa with the best track out of both versions in my opinion, the almighty "Smartbomb". Not to mention the yellow cover version is a continuous mix of tracks, while the other version has each track separated by a couple of seconds of agonizing silence. When I love every single track(and I mean that) on an album, I want the experience to be a never-ending trip. What good is getting laid if you're stopping every 5 minutes?
I didn't care much for Ima, ESCM was fantastic, and Emotional Technology, his next full album after MISL, was nice, but none of them compares to MISL. EITHER version. So I say, if you have the dough and can find both versions, get them. It's worth it.
BT is a classically trained musician, and it shows most of all on this album. This is far from the "bum-sss-bum-sss-bum-sss-bum-sss" drivel. This is driving, soothing, peaceful and violent all at the same time, with beats that will nod your head straight off your shoulders, and melodies that twist, turn, and groove. Songs you can cruise to ("Love on Haight Street"), pop-lock to (title track - watch for that funky-ass break!), or put the moves on that first date to ("Satellite") - and while that may sound like your average pop album (keep in mind BT DID do a track for N'Sync's "Celebrity" album, called "Pop"), once you listen, you realize - BT cannot come wack with his music. It's damn near impossible. Vocals - meh, those could use some work, but the music is that good, I don't care about the vocals. Most of these songs could work on a movie soundtrack or commercial, as well.
To put it quite simply BT/Dance=Dr. Dre/Rap. Both know their craft, and can crank out a hit on a whim. It's a shame this album wasn't promoted more, but that makes it all the more a gem. If you like dance music that's not just for dancing, don't sleep. If you want an introduction to BT, don't sleep. And if you like this album, and want to hear more, try "Emotional Technology", an album that's not quite as good, but is closer in style than say, ESCM, an album from which BT seemed to begin his evolution from Enigma to who he is today.
An amazing album.
Description of Movement in Still Life
10 tracks. Marks on disc will not affect play.BT's velvety take on trance techno, typified by unusually light, liquidy melodies, smooth edges, and roomy breakbeats, was first noticed in the U.S. via his exceptional remix of Tori Amos's "Blue Skies." That song and other like-minded U.K. singles that preceded it gave rise to yet another variation of trance music dubbed "dream-trance." It's an apt label. BT's dense, yet straightforward compositions and benevolent mixes incorporate themes of escape and rebirth, with songs that imprint themselves on your subconscious. On Movement in Still Life, never before available in the States, BT breaks through the wall that separates techno from out-and-out pop, incorporating verse-chorus-verse song structures. Furthermore, he allows his dreamy mix to wander into Fatboy Slim-esque big beat territory. As a DJ, he's clearly capable of branching into different styles. The smart house and choppy beats of the title track make that apparent. He's still playing with needles and wax on that track, though; "Shame," with its acoustic drum/guitar sound and accessible pop vocal track sounds ready-made for alt-rock radio, with only touches around the edges that betray the presence of a DJ. Other songs, such as "Running Down the Way," blend the two styles more evenly, utilizing a pop song format but keeping it clubby and decidedly nonacoustic. Given BT's U.S. success with the pop/club mix of "Blue Skies," as well as the accessible, anthemic style he tends to favor as a DJ, the record makes perfect stylistic sense. He'd be wise, however, to keep dream-trance close to his turntables, as the perfection of such tracks as "Dreaming" and "Godspeed" make it blissfully obvious that he has utterly mastered the sound. --Matthew Cooke
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