Master & Everyone

Bonnie Prince Billy - Master & Everyone

Master & Everyone
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CD Details

Artist: Bonnie Prince Billy
Edition: Music CD
CD Release Date: 2003-01-28
Music Label: Drag City
Soundtracks:
  1. The Way
  2. Ain't You Wealthy, Ain't You Wise?
  3. Master and Everyone
  4. Wolf Among Wolves
  5. Joy and Jubilee
  6. Maundering
  7. Lessons From What's Poor
  8. Even If Love
  9. Three Questions
  10. Hard Life

Music reviews of Master & Everyone

Music Review: Junkmedia Review- Solid, if not exceptional
Rating: 4 Stars

Will Oldham's first singing credits can be traced back to John Sayles' 1987 film Matewan. He co-starred as a 15-year-old preacher caught in the middle of a union war and sang along on three church hymns included on the soundtrack: "Avanti Populo," "Blood of the Lamb" and "What a Friend We Have in Jesus." Draw whatever conclusions you see fit, but I tend to think this had a big influence on his music.

Oldham's caustic and completely unique approach to American folk music has always stood out from the droves of roots-music ramblers and ersatz Dylan singer/songwriters. His first two albums conceived under the guise of The Palace Brothers, There Is No One What Will Take Care of You and Days in the Wake, revealed Oldham as a weathered wanderer: His gravelly tenor focused on love, death and religion while relating experiences that were well beyond the years that his still young face wore.

As good as his early releases were, and still are, Oldham was known best for his lyrical content. Barring the rock excursions on 1995's excellent Viva Last Blues, his arrangements were merely appropriate until, oddly, after he christened himself Bonnie 'Prince' Billy. It was then that his music as a whole became greater than its parts. Piano accompaniment, percussion and rich backing vocals dressed "I See a Darkness" and "Ease Down the Road" in a warm shade of black, making them perfect companions for your breaking heart.

His newest Bonnie 'Prince' Billy installment, Master and Everyone, is not the follow-up that everyone is likely expecting. It is, more importantly, a good album that finds Oldham retreating from the layered solemnity of his most recent releases in favor of a mood that is as intimate and delicate as it is bittersweet and biting.

The album opens with Oldham singing Winter comes and snow/ I can't marry you ya' know, as if it were a lullaby -- and even though it's not. Each squeak of the chair, each toe tapped on the floor, every deep breath drawn can be heard dancing among his acoustic guitar and haunting voice (The sprinkling of strings and an organ throughout the chorus do nothing to lighten the mood).

On "Ain't You Wealthy, Ain't You Wise?" Marty Slayton makes her appearance as Oldham's duet partner. Her presence, however, does nothing to keep him from ruminating on a loneliness that functions as the album's solitary theme. Shivers run up my spine when the two unapologetically harmonize, There's no pain to lament, and no dream undreamt. Tragedy, not irony -- that's why fans flock to Will Oldham concerts.

Overall, no new ground has been covered on Master and Everyone. Oldham has been known on occasion to let listeners down (anyone buy Ode Music?), but that's not the case here. There's more than enough material to keep fans happy, and, according to the opening verse of "Hard Life," there will be much more material soon.

Wake up and I'm fine, with my dreaming still on my mind
But it don't take long you see, for the demons to come
and visit me.
And I've got my problems, sometimes love don't solve them/
And I end each day, in a song.

Ronald Andryshak
February 5, 2003
Junkmedia Review

More Master & Everyone free music reviews:
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Description of Master & Everyone

3rd album from the subtle & quirky singer/songwriter. Palace/Drag City. 2003.
Bonnie "Prince" Billy, a.k.a. Will Oldham, is no ordinary bard. His writing, which can call to mind 19th-century American poets like Walt Whitman, has won him a cult of fans that include Marianne Faithfull, Björk, and Beck. Master's painfully fragile intensity is disconcerting and challenging, yet its purity and tenderness is soothing all the same. Dark, intimate, and sparsely arranged, it's a loose, meditative concept record that explores issues of gender, self, and love. Here Oldham trades in his familiar warble for a hushed, clear high tenor and a rock band for his acoustic guitar; ever-so-soft strings and keyboards warm up the arrangements while he is backed by Marty Slayton's sweet, feminine harmonies. Lyrically less dense than previous releases, Master does retain Oldham's typically quaint phrasings, as in "Ain't You Wealthy, Ain't You Wise?" and "Joy and Jubilee." With a few listens, these 10 oddly gentle songs will endear themselves, and perhaps prove Master to be Oldham's best and most personal work to date. --Jillian Steinberger

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