Shelter From the Smoke

Bill Fox - Shelter From the Smoke

Shelter From the Smoke
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CD Details

Artist: Bill Fox
Edition: Music CD
CD Release Date: 1998-10-06
Music Label: Spin Art
Soundtracks:
  1. Over And Away She Goes
  2. Appalachian Death Sigh
  3. Sara Page
  4. Lonesome Pine
  5. Get Your Workingman's Things
  6. Let In The Sun
  7. Way Way Down
  8. Singin' A Melody
  9. I'm Not Over Loving You
  10. Junked Lot Serenade
  11. Jordan Is A Hard Road To Travell
  12. You Can Tell Me All Night LOng
  13. Let's Be Buried Together
  14. Love Ain't No Feeling
  15. Brittany Goes Right Down
  16. A Little More Rain
  17. Since I've Been Gone
  18. Baystorm

Music reviews of Shelter From the Smoke

Music Review: Thrilling Bill
Rating: 5 Stars

I first heard "Over and Away She Goes" on a comp. CD and read that Bill Fox lived in Cleveland, and just happened to be living in Cleveland and just happened to see he'd be playing live near my house. And, I just had to see the real guy. yeah, and I did want to give him the night of his life! But anyway, I love this CD, it breaks my heart and the lyrics are very good. Now I can only wonder what ever happened to Bill Fox? I saw Bob Dylan with this guy! I went to Peace Corps, came home in 2000 and he was gone! Someone at Matador told me something very bad happened to him. Does anyone know the truth?
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Description of Shelter From the Smoke

Scat Records offers up a definitive edition of Bill Fox's debut solo disc, Shelter from the Smoke, back in print after more than half a decade. Originally self-released in 1997 and reissued the following year by SpinArt, both previous versions featured different tracklists. This edition includes all songs from both versions, as well as the two tracks from a scarce 1996 Scat 7-inch. This reissue also marks the first time the album has been pressed on vinyl.
Fox began his musical journey in early 1980s Cleveland with The Mice, who fused punk energy with British-Invasion-style songwriting and harmonies. He infamously dissolved the group on the eve of a European tour, then dropped out of the scene altogether, with an unfinished Mice LP in the can. In the early '90s, he began a series of home recordings which revealed a growing preference for acoustically based music, and formed the basis for Shelter from the Smoke as well as the follow-up Transit Byzantium (scheduled for a similar reissue treatment next year). Shelter also includes four electric tracks recorded with Fox's short-lived band The Radio Flyers. After a 1998 tour, Fox once again dropped out of music.
Now he is performing again. For how long, nobody knows. Fox is one of those rare musicians who really does not enjoy the limelight, even declining an interview with Joe Hagan of The Believer, who went so far as to fly to Cleveland in hopes of meeting him. That and his refusal to be on the internet has probably only helped the growing cadre of music fans who sees his solo albums as mysterious, lost classics. Or perhaps they just delight in the ringing sound of Fox's perfectly pitched voice or his deft lyricism. Either way, Fox's two solo albums are jewels not to be missed by anyone who enjoys traditional songcraft or iconic vocalists.
A true gem of a folk-rock album, Shelter from the Smoke originally appeared on the obscure Cherry Pop imprint in 1997. Those who heard the 15-track album found its exceptional assortment of original tunes worthy of high praise, but, of course, very few came across the title. The Spin Art label provides a second opportunity for the uninitiated to sample the skills of former power-popper Fox (he led the '80s Cleveland band the Mice). Fans of classic Byrds, early Dylan, and even '90s lo-fi of the Sebadoh and Chris Knox variety will find Shelter to be a revelation. Kicking off with the infectious "Over and Away She Goes," Fox conjures up melodies that feel fresh yet familiar and fleshes them out with evocative couplets. Fox has an intimate vocal style that's complemented by his own guitar and harmonica plus judicious small-ensemble embellishments. In the end, he's something of an updated American Billy Bragg, albeit one working with a much more limited recording budget. But Shelter shows he came up with enough bucks to record one keen collection. --Steven Stolder

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