The Phantom of the Opera (2004 Movie Soundtrack)

The Phantom of the Opera (2004 Movie Soundtrack)

The Phantom of the Opera (2004 Movie Soundtrack)
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CD Details

Edition: Music CD
Audio: English (Unknown); English (Original Language); French (Original Language); Italian (Original Language); Spanish (Original Language); English (Published)
Format: Soundtrack
CD Release Date: 2004-11-23
Music Label: Sony
Soundtracks:
  1. Overture - The Phantom Of The Opera: Original Motion Picture Soundtrack
  2. Think Of Me
  3. Angel of Music
  4. The Mirror (Angel Of Music)
  5. The Phantom Of The Opera
  6. The Music Of The Night - Gerard Butler
  7. Prima Donna - Simon Callow
  8. All I Ask Of You
  9. All I Ask Of You (Reprise)
  10. Masquerade - Margaret Price
  11. Wishing You Were Somehow Here Again
  12. The Point Of No Return
  13. Down Once More/Track Down This Murderer
  14. Learn To Be Lonely - Minnie Driver

Music reviews of The Phantom of the Opera (2004 Movie Soundtrack)

Music Review: Stunning and Inspiring
Rating: 5 Stars


I had never seen the play and I was unfortunate enough to miss the theatrical release of the film, so it wasn't until I rented the movie that I was finally blessed with this beautiful musical offering.

I am not exactly a big fan of Opera music so I was very surprised at how inspiring I found this soundtrack even aside from the movie.


THE TRACKS:

1. Overture: This track brings you right into the score with the thundering organ piece when the chandelier is raised. A perfect beginning even though it is, surprisingly the only track of just music, it includes organs, brass, string and electronics all in one.

2. Think of Me: I loved this song in the movie and it is one of my favorites. The soft piano and then swelling orchestra fits Emmy Rossum's voice very well. It carries through the song to its climactic ending including Raoul's brief solo.

3. Angel of Music: This track begins with the Phantom's haunting "Brava" leading into Meg's entrance. Emmy Rossum and Jennifer Ellison then present a lovely introduction to the prevalent Angel of Music. Their voices meld very well and the harmony is beautiful.

4. Mirror (Angel of Music): Building to the first sounds of The Phantom himself, this track covers the entire exchange between The Phantom and Christine after Raoul leaves her dressing room, ending in the Phantom chanting, `I am your Angel of Music'.

5. Phantom of the Opera: Track 4 leads smoothly into the title song. A strangely beautiful number. I am always attracted to unusual combinations in music and this song certainly offered that, a haunting blend of electronics and opera. The low register of the song was also very intriguing and makes this song stand out from the others. This song also ends in a very impressive high soprano note by Rossum.

6. Music of the Night: This track covers the entire famous song, Music of the Night, uniquely and beautifully sung by Gerard Butler. The raw emotion behind his performance makes for a pleasingly hypnotic offering.

7. Prima Donna: The one humorous song to make this particular soundtrack's final cut. Well done by all involved; it bears repeated hearings to catch all the clever lyrics.

8. All I Ask of You: One of my absolute favorite tracks, this is Christine and Raoul's duet. Beginning with the soft music and carrying to the end. It is both stunning and comforting with both Patrick Wilson and Emmy Rossum giving it all the loving emotion they can and delivering wonderful harmony.

9. All I Ask of You (Reprise): Following the previous track is its reprise, beginning with the Phantom's devastating realization that Christine loves someone else, it includes him weeping over the fallen rose while you hear Raoul and Christine singing the final chorus of their song like an echo. Then the Phantom regains himself to finish the song in a powerful rage, this is overlaid by the organ theme.

10. Masquerade: I'll admit to this not being my favorite track but that is largely because I prefer solos and small harmonies, but if you enjoy full choral songs than you will enjoy this one. It begins with Firmin and Andre singing about the pleasant Gala evening, then the choral group sings. This then turns to Christine and Raoul discussing their secret engagement, the choral segment picks up once again finally ending with the interruption of the Phantom's theme.

11. Wishing You Were Somehow Here Again: I will say now that I adore this song. One of the few complete solos, Emmy Rossum proves that she holds very well on her own with spectacular soprano and yet deep alto notes. It is both sad and enchanting and the final lines are especially beautiful.

12. Point of No Return: A fully hypnotic song, I didn't enjoy this duet as well as some of the others, but there are some pleasant surprises to be found on both Butler and Rossum's part. This track has the entire song of Point of No Return beginning with the moment The Phantom comes on stage and ending with the abrupt actions of Christine which end his reprise of All I Ask of You. It then plays through the powerful theme that follows the chandelier falling and the Phantom escaping with Christine. It surprisingly continues to play as we hear Carlotta's reaction to the death of Piangi, Firmin's statement that he and Andre are ruined, then more music and we hear Raoul asking Madame Giry where The Phantom has taken Christine. She tells him to follow and tells Meg to stay behind. The track at last ends with Meg holding back the growing mob with the word `No'.

13. Down Once More/Track Down This Murderer: This track is practically a Medley with all it includes and is thus one of my favorite tracks. First of all Down Once More, which alternates with the mob singing Track Down This Murderer. This pauses briefly for Raoul and Madame Giry singing "Your hand at the level of your eyes" then, (skipping over their dialogue) moves on to the short duet between Christine and the Phantom where he reveals some of his childhood to her and she tells him that it is his soul that is truly distorted. It then breaks to the Phantom acknowledging the arrival of Raoul, carrying all the way through to The Phantom tying Raoul to the gate. Following this is the absolutely fantastic song preformed by the three main characters. This segment runs from 4:50 to 5:55 and I had to listen to it several times just to get the full impact of the gorgeous harmony and the different lyrics. All three preformed beautifully together and it was a real reward to hear their talents combined. You then hear Christine and the Phantom's brief dialogue then her final solo before the kiss. The crescendo of Angel of Music comes at this point and is one of the most powerful moments of the soundtrack. You then hear the Phantom breathing and the mob's song comes back, The Phantom then tells them to go immediately. After this the music ends suddenly and returns with the tantalizing music box theme of Masquerade, the Phantom sings brokenly with the music ending in "Christine I love you." The music of her returning the ring and leaving then plays and finally we hear Raoul and Christine repeating the final verse of their song once more, the Phantom breaks in with the concluding line of an altered Music of the Night and the music hits a final crescendo (without the sound of breaking mirrors) and this music slows into the final stringed notes of the track.

14. Learn To Be Lonely: A truly sad credit song well preformed by Minnie Driver who's voice fit the mood very well and even without being opera this song seemed to blend well with the rest of the soundtrack.


The Music: I loved the music, it was haunting and tantalizing and powerful, it was very appropriately emotional and never completed a song dully. I really enjoyed discovering how various melodies were shared by different songs and was very impressed with how they could sound different even with the same music.

The Singing: I was wildly impressed by all the performances! Gerard Butler offered a raw quality to his character's voice that I thought was a very good decision, even though it was opera it was unique to his character and it also had the capability to reflect every emotion he was feeling. Patrick Wilson delivered a truly tender performance on all his major singing solos and added a desperation to the song they sing together. Emmy Rossum was simply amazing, I could not believe how young she was and enjoyed the softness and wide range of her voice, she provided lovely harmonies for the other two leads and at the same time preformed brilliantly in her solos. All supporting singers were also very good, their voices portrayed their characters very well and Jennifer Ellison in particular made a big difference in Angel of Music.

Altogether: I was happily surprised by how much I enjoyed this soundtrack. It seems to offer a song for every mood and provides a desire for repeated listening. Even if you don't think you like opera, you should give this soundtrack a try, it may surprise you.


The Phantom of the Opera, Soundtrack: Rates 5 stars out of 5
~@~Rose
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Description of The Phantom of the Opera (2004 Movie Soundtrack)

The Phantom of the Opera, Soundtrack
For better or worse, Andrew Lloyd Webber's adaptation of Gaston Leroux's gothic horror/romance novel has done for stage musicals what Spielberg's Jaws did for fish stories, with worldwide sales of its original cast album approaching 25 million. While director Joel Schumacher's film turns on his typically ambitious visual verve, its new film soundtrack recording has been paradoxically focused in scope, yet beefed up dynamically via the brawny presence of a hundred piece orchestra and The London Boys Choir. This single disc version showcases all of Phantom's key songs (a deluxe, double-disc edition is also available), with Gerard Butler imparting a welcome, youthful sensuality to his Phantom, making a fine foil for Emmy Rossum's ever-conflicted Christine. Original show orchestrator David Cullen has fashioned compelling new contemporary arrangements to frame Webber's songs -- which now conclude with the lilting, upbeat new ballad he wrote for the film, "Learn to Be Lonely," sung by Minnie Driver. --Jerry McCulley

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