Beach: Piano Music, Vol. 1 - By the Still Waters

Beach: Piano Music, Vol. 1 - By the Still Waters

Beach: Piano Music, Vol. 1 - By the Still Waters
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CD Details

Composer: Amy Beach
Performer: Joanne Polk
Edition: Music CD
Format: Import
CD Release Date: 1997-07-29
Music Label: Arabesque Recordings
Soundtracks:
  1. Theme: Adagio malincolico
  2. 1. Pił mosso
  3. 2. Maestoso
  4. 3. Allegro ma non troppo
  5. 4. Andante alla Barcarola
  6. 5. Largo con molta espressione \ Poco pił mosso
  7. 6. Quasi Fantasia / Allegro all' 'Ongarese
  8. 7. Vivace / Valse lento
  9. 8. Con vigore / Lento calmato
  10. Marcia funerale
  11. Cadenza. Grave / Quasi. Fantasia / Maestoso. Come Var.IIdo / Adagio come prima
  12. 1. Scherzino: A Peterboro Chipmunk
  13. 2. Young Birches
  14. 3. A Humming Bird
  15. 1. Barcarolle
  16. 2. Menuet italien
  17. 3. Danse des fleurs

Music reviews of Beach: Piano Music, Vol. 1 - By the Still Waters

Music Review: BEACH AT HER BEST (REDUX)
Rating: 5 Stars

I can scarcely believe it's been nearly two and a half years since I wrote my first review [October 24, 2000!!] of Joanne Polk's enlightening second volume traversal ["Under the Stars"] of the complete Amy Beach piano oeuvre. But it has been, and time, that great elucidator and thief, has once again returned me to face the music.

And what music it is, most noticeably for the premiere volume's prescient inclusion of Mrs. Beach's haunting and evocative, nearly thirty-minute-long Variations on Balkan Themes, Op. 60, written in 1904. With a life that bridged two very different centuries, and a fresh musical mind, forever searching, growing and transforming, Beach [1867-1944] could do no less with her innate gifts than to compose with genuine originality, as is evidenced by the emotional depth and lyrical reach of the Variations.

Although pieces such as the Trois morceaux caracteristiques, Op. 28 [1897] and the Scottish Legend and Gavotte fantastique, Op. 54, No.'s 1 and 2 [1903] may smack of the New England "school," the earlier not coincidentally dedicated to MacDowell, they are nonetheless inventive and charming. However, the Op. 114 (By the Still Waters) [1925] and miniatures of Op. 128 [1928], especially No. 2 (Young Birches), show the composer venturing into melodically undefined, but thoroughly gorgeous Lisztian territory.

Out of the Depths, Op. 130, also written in 1928, but not published until 1930, is a wonderful piano "distillation" of Psalm 130, without pretense, and again, not unlike Liszt in its austere sincerity and modernity.

Far Awa' brings us full circle in the most magical of ways. Originally No. 4 from Beach's Op. 43 song cycle of 1899, the composer herself transcribed the work for piano (and organ) in 1935 while at the MacDowell Colony, with ongoing revisions. It's a beautiful, heartfelt piece.

Polk produces exquisite sound, captured warmly by the engineers, undeniably proving the appeal and value of this music. Not only is she a fine pianist, she is at one with the composer. I applaud her talent, and I applaud her efforts to bring Mrs. Beach's endearing creations to life. There is much to immerse oneself in here.

[Running time: 67:55]

Description of Beach: Piano Music, Vol. 1 - By the Still Waters

Amy Beach is historically important as the first prominent American woman composer. She also wrote music of some substance and charm. But like most of her contemporaries, she wrote mostly rather lightweight salon music for solo piano, and its interest has faded considerably. Of pianist Joanne Polk's two Beach CDs, this one is the more recommendable because it includes a substantial piece, the Variations on Balkan Themes, which shows what Beach could do when she set her mind to it. Some of the little pieces here are unbearably trivial. Polk plays very well, and benefits from excellent recorded sound. -- Leslie Gerber

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