American III: Solitary Man

American III: Solitary Man

American III: Solitary Man
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CD Details

Performer: Johnny Cash
Edition: Music CD
CD Release Date: 2000-10-17
Music Label: Sony
Soundtracks:
  1. I Won't Back Down
  2. Solitary Man
  3. That Lucky Old Sun (Just Rolls Around Heaven All Day)
  4. One
  5. Nobody
  6. I See A Darkness
  7. The Mercy Seat
  8. Would You Lay With Me (In A Field Of Stone)
  9. Field Of Diamonds
  10. Before My Time
  11. Country Trash
  12. Mary Of The Wild Moor
  13. I'm Leavin' Now
  14. Wayfaring Stranger

Music reviews of American III: Solitary Man

Music Review: Could Have Been Great
Rating: 4 Stars

Well, here we go again, the Cash-Rubin experiment volume 3. It has proven extraordinarily successful thus far, garnering Johnny two consecutive "Best Country Album" grammy awards for the first two American Recordings albums.

I, perhaps like most other Cash fans, awaited this release with great anxiety, and while the album turned out to be a good one, I cannot say that I am entirely satisfied this time around.

One reviewer noted that Cash's voice is a bit thin throughout Solitary Man, and it's true. Whereas Cash blew the heck out of his vocal chords on Unchained's "Spiritual," perhaps the best ballad of his nearly 50-year career, Cash's snarling, robust barritone just never quite realizes itself here.

This is most obvious on his blunted efforts to hit the high notes on "Lucky Old Sun." It doesn't just sound like he has aged, we all do. And it doesn't just sound bad, it sounds like Cash's illness in recent years has taken more out of him than he cares to admit. Whiel recording another album in the midst of that illness seems ambitious, it surely does nothing to hide the truth. if anything, a listen to Solitary man confirms the press coverage that Cash habitually refutes.

The other noteable mishap on Solitary man is the sparse production. Rubin's stripped-bare production on the strictly acoustic 1994 American Recordings seemed entirely appropriate, but the rocking 1996 follow-up foreshadowed even greater musical horizons. Not so here. While the covers of petty's "I Won't Back Down" and Neil Diamond's "Solitary Man" are excellent folk renditions, they just beg fore a fuller soundscape than Rubin allows. The pianos, organs and fiddles chiming in on songs like Nick Cave's "The Mercy Seat" and the absolutely devastating "Wayfaring Stranger" are delicious, but only serve to highlight the missed opportunities on the spate of raw tracks that dominates the album.

Besides the aboved mentioned folk tunes, Cash's cover of U2's superb ballad, "One" is great, but the adventure ride Rubin took with Tom petty and Mike Campbell on 1996's Unchained is unfortunately AWOL throughout Solitary Man.

Nonetheless, we should probably be counting our lucky stars for another release from the man in black. The press wastes no time in painting Johnny Cash's health condition every shade of bleak, and it really sounded like Cash's career had come to a halt. Solitary Man might be a good album of as much worth as its predecessors, but I would not go so far as to label it an obligatory purchase.

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Description of American III: Solitary Man

German edition of 'the man in black's' long awaited 2000 studio album. Additional artists include, Tom Petty, Sheryl Crow, Merle Haggard and Will Oldham. Includes bonus disc featuring a one hour interview (limited to 5,000). The liner notes fold open into
The simple truth is that Johnny Cash could read the phone book and make it compelling. At times this set sounds like a deathbed recitation rather than a collection of songs, but the man's aura and mystique carry the day. Atop Rick Rubin's spare arrangements, Cash makes every song he interprets his own. --Marc Greilsamer
For younger generations of musicians, having their song cut by Johnny Cash must be a little like scaling the Washington Monument. On his third album for producer Rick Rubin's American label, Cash makes Tom Petty's "I Won't Back Down" sound like a companion classic to "I Walk the Line." He transforms U2's "One" into a sturdy testament of plainspoken faith, while he plumbs the netherworld of Nick Cave's "The Mercy Seat" and Will Oldham's "I See a Darkness." Amid more familiar fare (including Neil Diamond's title track), the album's sing-along standout is the deadpan, down-and-out, talking blues of "Nobody." Cash's recent originals have the age-old purity of Appalachian music, while the traditional closing of "Wayfaring Stranger" offers bittersweet benediction. Merle Haggard, Sheryl Crow, and June Carter Cash provide vocal cameos. --Don McLeese

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