Straight Ahead

Abbey Lincoln - Straight Ahead

Straight Ahead
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CD Details

Artist: Abbey Lincoln
Edition: Music CD
Format: Original recording reissued
CD Release Date: 2003-03-11
Music Label: Candid Records
Soundtracks:
  1. Straight Ahead
  2. When Malindy Sings
  3. In The Red
  4. Blue Monk
  5. Left Alone
  6. African Lady
  7. Retribution

Music reviews of Straight Ahead

Music Review: Abbey and Hawk Make Memorable Musical Conversation
Rating: 4 Stars

It's perplexing to read the numerous accounts characterizing Abbey's early work as derivative and lightweight, apparently because the material is frequently drawn from that "classic" body of work (by Berlin, Gershwin, Porter, Ellington, etc.) that has come to be known as the "Great American Songbook." A truly "original" artist is one who can take familiar material and make it fresh, vibrant and alive. In the 1950s Sinatra made his storied comeback by going back some 30 years to the "old songs" but singing them in a manner that made you believe every word, enabling you to hear these fast-fading Broadway tunes as personal, "felt" experience. In fact, the very survival and inclusion of many of the songs in the Songbook can be traced to Sinatra's definitive interpretations of them.

In the '50s Abbey had the breath control, phrasing, flexibility along with her trademark inflections and vocal power to do much the same for songs that some listeners apparently dismiss on political, not musical, grounds. Of course, it didn't hurt that she was assisted by the arranging skills and solo contributions of some of the best in the business, from Marty Paich and Jack Montrose to Sonny Rollins, Kenny Dorham, and Coleman Hawkins. But for those who would still prefer to pass up the "standards" in favor of new and original songs by the performer, "Straight Ahead" (an album title used by many distinguished jazz artists) should satisfy. Most of the tunes are Lincoln originals, or melodies like Monk's "Blue Monk" for which Abbey has provided lyrics.

Ironically, the title tune has more of a meandering than a "straight ahead" melodic quality, and though Abbey is in strong voice, one occasionally wishes the music had a bit more harmonic and melodic interest along with rhythmic drive. Nevertheless, just as interest begins to lessen, there's another gem of a solo by the "father of the tenor saxophone." It's easy to overlook Hawkins' soulful, inventive rhetoric on the tenor saxophone at this late date, but he's a potent force on each of the recordings that he made with Abbey (and with Abbey and Max on "Freedom Now Suite"). The most recorded popular standard of all time--"Body and Soul"--owes much of its later popularity and influence not to Sinatra's or any other vocalist's interpretation but to the all-but-perfect solo by Hawkins from 1939. And Hawkins demonstrates on many successive recordings, including "Straight Ahead," that he continued to be a force to be reckoned with long after. (Give Max Roach credit for recognizing the value of this pre-Bird giant of American music.) Hawkins' sound on the instrument--bold, stout, preaching, filled to the brim with unadulterated passion--is arguably a better complement to Abbey's own sound than is the very different (but admittedly no less distinctive) sound of Stan Getz' saxophone (heard on the much later "You Gotta Pay the Band"). At the very least, download the title song and "Blue Monk," but pay at least as much close attention to Coleman Hawkins' solos as to Abbey's readings.
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Description of Straight Ahead

Digitally remastered and expanded edition of this album from the Jazz great. Contains the complete original album Straight Ahead, on which she shares the bill with such stars as Eric Dolphy, Coleman Hawkins, Booker Little, Mal Waldron, and Max Roach. An important musical work as well as an eloquent political statement, this now classic album didn't receive unanimous approval in its day, as Ira Gitler made clear in his Down Beat review, where he accused the singer of being a 'professional Negro'. The only known alternate take from the session, as well as all existing tunes featuring Lincoln from two other dates from the same period have been added here as a bonus. American Jazz Classics.

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